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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    492 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    300 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 40 matching records exist across the two collections.

Results for "Ponte di Rialto"12 records

Institutions answered newest-first by record, interleaved

Frederick III (1413-1493), Holy Roman Emperor (1452) by Bertoldo di Giovanni, The Metropolitan Museum of Art

Frederick III (1413-1493), Holy Roman Emperor (1452)

Bertoldo di Giovanni (d. 1491)

1469 · Bronze

Cleared · Public Domain

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The MetSimilar
The Rialto Bridge by Italico Brass, The Cleveland Museum of Art

The Rialto Bridge

Italico Brass (d. 1943)

1926 · Drawing, black crayon

Cleared · CC0

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Cleveland Museum of ArtSimilar
Christ Appearing to Saint Mary Magdalen ("Noli Me Tangere") by Jacopo Bassano (Jacopo da Ponte), The Metropolitan Museum of Art

Christ Appearing to Saint Mary Magdalen ("Noli Me Tangere")

Jacopo Bassano (Jacopo da Ponte) (d. 1592)

ca. 1560 · Brush and brown wash, highlighted with white gouache, over traces of black chalk

Cleared · Public Domain

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The MetSimilar
The Church of San Giacomo di Rialto, at right Palazzo dei Dieci and the bridge of Rialto by Giovanni Battista Brustolon, The Metropolitan Museum of Art

The Church of San Giacomo di Rialto, at right Palazzo dei Dieci and the bridge of Rialto

Giovanni Battista Brustolon (d. 1796)

1763 · Etching; first state of four

Cleared · Public Domain

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The MetSimilar
View of the Ponte Salario, from "Vedute di Roma" (Views of Rome), part I by Giovanni Battista Piranesi, The Metropolitan Museum of Art

View of the Ponte Salario, from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; third state of five (Hind)

Cleared · Public Domain

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The MetSimilar
Canale di Ponte Rossa, Venice by Andrew Fisher Bunner, The Metropolitan Museum of Art

Canale di Ponte Rossa, Venice

Andrew Fisher Bunner (d. 1897)

1885 · Black ink and graphite traces on off-white wove paper

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Antonio di Ponte, plate 25 from "Schola Italica Picturae"

Domenico Cunego (d. 1803)

1769 · Engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of Ponte Lugano on the Anio [...], from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; first state of four (Hind)

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ponte di Rialto

Otto Henry Bacher (d. 1909)

ca. 1880–82 · Etching, printed in brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ponte di Donna Onesta, Venice

John Marin (d. 1953)

1907 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rialto Bridge (Covered Bridge, Venice)

Maurice Brazil Prendergast (d. 1924)

ca. 1911–12 · Watercolor and graphite on off-white wove paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shadows of Venice

John Taylor Arms (d. 1953)

1930 · Etching with aquatint

In copyright

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The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.