
Frederick III (1413-1493), Holy Roman Emperor (1452)
Bertoldo di Giovanni (d. 1491)
1469 · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
492 ms. The Metropolitan Museum of Art, Collection API (Open Access)
300 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 40 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Frederick III (1413-1493), Holy Roman Emperor (1452)
Bertoldo di Giovanni (d. 1491)
1469 · Bronze
Cleared · Public Domain
live
The Rialto Bridge
Italico Brass (d. 1943)
1926 · Drawing, black crayon
Cleared · CC0
live
Christ Appearing to Saint Mary Magdalen ("Noli Me Tangere")
Jacopo Bassano (Jacopo da Ponte) (d. 1592)
ca. 1560 · Brush and brown wash, highlighted with white gouache, over traces of black chalk
Cleared · Public Domain
live
The Church of San Giacomo di Rialto, at right Palazzo dei Dieci and the bridge of Rialto
Giovanni Battista Brustolon (d. 1796)
1763 · Etching; first state of four
Cleared · Public Domain
live
View of the Ponte Salario, from "Vedute di Roma" (Views of Rome), part I
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; third state of five (Hind)
Cleared · Public Domain
live
Canale di Ponte Rossa, Venice
Andrew Fisher Bunner (d. 1897)
1885 · Black ink and graphite traces on off-white wove paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Antonio di Ponte, plate 25 from "Schola Italica Picturae"
Domenico Cunego (d. 1803)
1769 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of Ponte Lugano on the Anio [...], from "Vedute di Roma" (Roman Views), part II
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; first state of four (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ponte di Rialto
Otto Henry Bacher (d. 1909)
ca. 1880–82 · Etching, printed in brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ponte di Donna Onesta, Venice
John Marin (d. 1953)
1907 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rialto Bridge (Covered Bridge, Venice)
Maurice Brazil Prendergast (d. 1924)
ca. 1911–12 · Watercolor and graphite on off-white wove paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shadows of Venice
John Taylor Arms (d. 1953)
1930 · Etching with aquatint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.