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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    489 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    280 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12,513 matching records exist across the two collections.

Results for "Pool Lighted Studio"12 records

Institutions answered newest-first by record, interleaved

Ruinae Coliseum, from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Ruinae Coliseum, from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

ca. 1650 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Shah Jahan Hunting Blackbuck with Trained Cheetahs by an unrecorded maker, The Metropolitan Museum of Art

Shah Jahan Hunting Blackbuck with Trained Cheetahs

Unrecorded maker

1710–15 · Ink, gold, and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar
Vue de la Piscine Probatique et d'un quartier de Jérusalem by Maxime Du Camp, The Metropolitan Museum of Art

Vue de la Piscine Probatique et d'un quartier de Jérusalem

Maxime Du Camp (d. 1894)

August 1850 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
The Pool at Jas de Bouffan by Paul Cézanne, The Metropolitan Museum of Art

The Pool at Jas de Bouffan

Paul Cézanne (d. 1906)

ca. 1885–86 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Pool Lighted Studio by Jian Guzhai, The Metropolitan Museum of Art

Pool Lighted Studio

Jian Guzhai

late 19th–early 20th century · Black ink

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

At the Minnow Pool: Arthur, John Hope, and Sophia Finlay

Hill and Adamson (d. 1848)

ca. 1845 · Salted paper print from paper negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vase

Adelaide Alsop Robineau (d. 1929)

ca. 1907–8 · Porcelain

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Alligator Pool

Ernest Haskell (d. 1925)

1914 · Drypoint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pool Parlor

Jacob Lawrence (d. 2000)

1942 · Watercolor and gouache on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bowl

Isamu Noguchi 野口勇 (d. 1988)

1952 · Stoneware with green glaze

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Family with two children with parents in kente cloth

Alex Agbaglo Acolatse (d. 1975)

1975 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled

Jasper Johns (d. 9999)

2013 · Offset lithograph

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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