
Reliquary Cross with Christ Crucified and the Virgin and Child
Unrecorded maker
11th century · Copper alloy, niello
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
296 ms. The Metropolitan Museum of Art, Collection API (Open Access)
403 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 156 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Reliquary Cross with Christ Crucified and the Virgin and Child
Unrecorded maker
11th century · Copper alloy, niello
Cleared · Public Domain
live
Reliquary Diptych
Unrecorded maker
late 14th century · Verre églomisé, polychromy, wood, metal, and possible human remains
Cleared · Public Domain
live
Reliquary Pendant with Hounds Coursing a Hare
Unrecorded maker
late 14th century · Silver, gilded silver, and niello
Cleared · Public Domain
live
Shoe Reliquary
Unrecorded maker
ca. 1350–1400 · Leather and Iron
Cleared · Public Domain
live
Portable Reliquary Case
Unrecorded maker
ca. 1400 · leather (cuir bouilli), boiled and tooled, traces of gilding
Cleared · Public Domain
live
Portable Reliquary of Saint Vincent
Unrecorded maker
ca. 1400, with later terminals · Translucent enamels on silver, wood
Cleared · Public Domain
live
Square Piano (Portable Model)
Longman & Broderip
ca. 1790 · Mahogany veneer case, ivory naturals, ebony accidentals.
Cleared · Public Domain
live
Pen Case and Inkwell
Unrecorded maker
first half 19th century · Gold, silver; partial gilded, probably cast
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portable Reliquary
Unrecorded maker
late 19th–early 20th century (12th century style) · Champlevé enamel, gilded copper, glass and/or crystal cabochons
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Qur'an Case
Unrecorded maker
late 19th–early 20th century · Silver
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reliquary
Kota artist
19th–first half of 20th century · Wood, cane, pigment, raffia palm, leaves, copper alloy, resin, primate skull, spire shell
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Valentine Portable Typewriter
Ettore Sottsass (d. 2007)
1968 · Acrylonitrile-butadiene-styrene (ABS) plastic, synthetic chloroprene rubber, metal
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.