Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    376 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    354 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 16 matching records exist across the two collections.

Results for "Portal of the Temple of Romulus and Remu"12 records

Institutions answered newest-first by record, interleaved

Colossal Seated Statue of Amenhotep III, reworked, reinscribed by Merneptah by an unrecorded maker, The Metropolitan Museum of Art

Colossal Seated Statue of Amenhotep III, reworked, reinscribed by Merneptah

Unrecorded maker

ca. 1386–1347 BCE · Porphyritic diorite

Cleared · Public Domain

live
The MetSimilar
Colossal Statue of  Amenhotep III, reworked, reinscribed by Merneptah by an unrecorded maker, The Metropolitan Museum of Art

Colossal Statue of Amenhotep III, reworked, reinscribed by Merneptah

Unrecorded maker

ca. 1386–1347 BCE · Porphyritic diorite

Cleared · Public Domain

live
The MetSimilar
Marble molding fragment from the Temple of Artemis at Sardis by an unrecorded maker, The Metropolitan Museum of Art

Marble molding fragment from the Temple of Artemis at Sardis

Unrecorded maker

ca. 117–138 CE · Marble

Cleared · Public Domain

live
The MetSimilar
Portico of the Temple of Romulus, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Portico of the Temple of Romulus, from "Speculum Romanae Magnificentiae"

Anonymous

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Portal of the Temple of Romulus and Remus, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Portal of the Temple of Romulus and Remus, from "Speculum Romanae Magnificentiae"

Anonymous

1582 · Engraving

Cleared · Public Domain

live
The MetSimilar
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671) by Pietro da Cortona (Pietro Berrettini), The Metropolitan Museum of Art

Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671)

Pietro da Cortona (Pietro Berrettini) (d. 1669)

ca. 1635 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper

Cleared · Public Domain

live
The MetSimilar
Plate 27: Triumphal arch, elevation of the back, surmounted by allegorical figures and decorated with scenes from Roman mythology and history; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' by Johannes Meursius, The Metropolitan Museum of Art

Plate 27: Triumphal arch, elevation of the back, surmounted by allegorical figures and decorated with scenes from Roman mythology and history; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'

Johannes Meursius (d. 1699)

1636 · Engraving

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Temple of Romulus and Remus (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Temple of Romulus and Remus (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Pen and black ink, brush and gray wash, traces of red chalk

Cleared · Public Domain

live
The MetSimilar
View of the Palatine Hill and the Temple of Romulus by Jean Barbault, The Metropolitan Museum of Art

View of the Palatine Hill and the Temple of Romulus

Jean Barbault (d. 1762)

1750 · Black and white chalk

Cleared · Public Domain

live
The MetSimilar
A Section of the Via Sacra, Rome (The Church of Saints Cosmas and Damian) by Christoffer Wilhelm Eckersberg, The Metropolitan Museum of Art

A Section of the Via Sacra, Rome (The Church of Saints Cosmas and Damian)

Christoffer Wilhelm Eckersberg (d. 1853)

ca. 1814–15 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Altar of Jupiter in the Oldest Temple on the Capital, from "Italian Sixteenth Century Arches and Portals and Altars - Veneziano and Others"

Agostino Veneziano (Agostino dei Musi) (d. 1536)

ca. 1514–36 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Restes du Portique du Temple de Jupiter Stator, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.