
Route de St. Cloud
Louis Philibert Debucourt (d. 1832)
1816 · Hand-colored etching and aquatint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
515 ms. The Metropolitan Museum of Art, Collection API (Open Access)
379 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 301 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Route de St. Cloud
Louis Philibert Debucourt (d. 1832)
1816 · Hand-colored etching and aquatint
Cleared · Public Domain
live
Souvenirs artistiques du Siége du Paris: Avenue de Boulogne, Vue Prise de la porte d'Auteuil, St. Cloud au fond, Dévastation du Bois de Boulogne
Maxime Lalanne (d. 1886)
1879–81 · Print, etching
Cleared · CC0
live
Convent of St. Cloud
Anonymous, British, 19th century (d. 1900)
mid-19th century · Watercolor
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Porte St. Denis
Bisson Frères (d. 1863)
ca. 1860 · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Chateau St. Cloud
Ernest Ladrey
1871 · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Porte St. Cloud
P. Loubère
1871 · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Porte Saint-Étienne
Félix Bonfils (d. 1885)
1870s · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Cloud
Eugène Atget (d. 1927)
1915–19, printed 1956 · Gelatin silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Cloud, Fin mai, 7 h. soir
Eugène Atget (d. 1927)
1922 · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Porte St. Jacques, Parthenay
Sir Frank William Brangwyn (d. 1956)
1923 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Cloud near Paris
Eugène Atget (d. 1927)
1923 · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seine at St. Cloud
Adolf Dehn (d. 1968)
1928 · Lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.