
Armchair
Beauvais
designed ca. 1786, woven 1790–91; chair frame second half 19th century · Carved and gilded wood; wool, silk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
281 ms. The Metropolitan Museum of Art, Collection API (Open Access)
295 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 24 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Armchair
Beauvais
designed ca. 1786, woven 1790–91; chair frame second half 19th century · Carved and gilded wood; wool, silk
Cleared · Public Domain
live
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2
Rudolph Ackermann, London (d. 1832)
July–December 1809 · Illustrations: hand-colored etching, engraving, woodcut, and textile samples
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old English Masters, II, Engraved by Timothy Cole, Japan Proofs
Timothy Cole (d. 1931)
1902 · Wood engravings on Japan paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portfolio cover for Dance of Death
Lovis Corinth (d. 1925)
1921 (published 1922) · Portfolio of four etchings and one etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Insectes: vingt planches en phototypie coloriées au patron donnant quatre-vingts insectes et seize compositions décoratives
Emile-Allain Séguy (d. 1951)
[1929] · Pochoir and lithographs (?)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Formes et Couleurs, Planche 10
Auguste H. Thomas (d. 1935)
ca. 1930 (?) · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Formes et Couleurs, Planche 11
Auguste H. Thomas (d. 1935)
ca. 1930 (?) · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Formes et Couleurs, Planche 14
Auguste H. Thomas (d. 1935)
ca. 1930 (?) · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Formes et Couleurs, Planche 2
Auguste H. Thomas (d. 1935)
ca. 1930 (?) · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Formes et Couleurs, Planche 9
Auguste H. Thomas (d. 1935)
ca. 1930 (?) · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portfolio cover and inserts for four lithographs 'Canet litografía' inspired by Casablanca
Antonio Canet Hernández (d. 2008)
1966 · Letterpress, lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flies
Edward Ruscha (d. 9999)
1972 · Screenprint
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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