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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    370 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    475 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 34,565 matching records exist across the two collections.

Results for "Portfolio with drawings and prints of to"12 records

Institutions answered newest-first by record, interleaved

Twenty album pages with prints from the series ‘Coenotaphiorum’ by Johannes van Doetecum I, The Metropolitan Museum of Art

Twenty album pages with prints from the series ‘Coenotaphiorum’

Johannes van Doetecum I (d. 1605)

1563 · Etching

Cleared · Public Domain

live
The MetSimilar
And All Manner of Frightful Creatures Arise by Odilon Redon, The Cleveland Museum of Art

And All Manner of Frightful Creatures Arise

Odilon Redon (d. 1916)

1888 · Print, lithograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Design for an Epitaph by Jean Lenfant, The Metropolitan Museum of Art

Design for an Epitaph

Jean Lenfant (d. 1674)

1660 · Etching

Cleared · Public Domain

live
The MetSimilar
And a Large Bird, Descending from the Sky, Hurls Itself against the Topmost Point of Her Hair by Odilon Redon, The Cleveland Museum of Art

And a Large Bird, Descending from the Sky, Hurls Itself against the Topmost Point of Her Hair

Odilon Redon (d. 1916)

1888 · Print, lithograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Portfolio with drawings and prints of tombs and epitaphs by Anonymous, Flemish, The Metropolitan Museum of Art

Portfolio with drawings and prints of tombs and epitaphs

Anonymous, Flemish

17th century · Pen and brown ink, black chalk, brush and brown and gray wash

Cleared · Public Domain

live
The MetSimilar
It Is a Skull Wreathed with Roses. It Dominates a Woman's Torso of Pearly Whiteness by Odilon Redon, The Cleveland Museum of Art

It Is a Skull Wreathed with Roses. It Dominates a Woman's Torso of Pearly Whiteness

Odilon Redon (d. 1916)

1888 · Print, lithograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Proof impression with Corrections and Instructions of a Print celebrating the Union and Lineage of Eriprand de la Tour with the Comtesse de Valsasine by Anonymous, French, 17th century, The Metropolitan Museum of Art

Proof impression with Corrections and Instructions of a Print celebrating the Union and Lineage of Eriprand de la Tour with the Comtesse de Valsasine

Anonymous, French, 17th century (d. 1700)

17th century · Engraving; proof

Cleared · Public Domain

live
The MetSimilar
First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White, Rearing Horses by Odilon Redon, The Cleveland Museum of Art

First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White, Rearing Horses

Odilon Redon (d. 1916)

1888 · Print, lithograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Portfolio Cover for a Group of Drawings showing Porcelain Vessels by Anonymous, French, 18th century, The Metropolitan Museum of Art

Portfolio Cover for a Group of Drawings showing Porcelain Vessels

Anonymous, French, 18th century (d. 1800)

ca. 1770–85 · Pen and ink; graphite

Cleared · Public Domain

live
The MetSimilar
And In the Very Disk of the Sun Shines the Face of Jesus Christ by Odilon Redon, The Cleveland Museum of Art

And In the Very Disk of the Sun Shines the Face of Jesus Christ

Odilon Redon (d. 1916)

1888 · Print, lithograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Portfolio Cover for a Collection of Caricatures and Satires by Anonymous, British, 19th century, The Metropolitan Museum of Art

Portfolio Cover for a Collection of Caricatures and Satires

Anonymous, British, 19th century (d. 1900)

ca. 1845 · Paper-covered boards, decorated with a lithograph

Cleared · Public Domain

live
The MetSimilar
The Chimera with Green Eyes Turns, Bays by Odilon Redon, The Cleveland Museum of Art

The Chimera with Green Eyes Turns, Bays

Odilon Redon (d. 1916)

1888 · Print, lithograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.