Portrait of Alphonse Legros
Félix Bracquemond (d. 1914)
1875 · Etching; second state of two
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
261 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
309 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 79 matching records exist across the two collections.
Results for "Portrait of Alphonse Karr"12 records
Institutions answered newest-first by record, interleaved
Portrait of Alphonse Karr
Marcellin Desboutin (d. 1902)
1878 · Drypoint; third state of three
Cleared · Public Domain
liveThe MetSimilar
Portrait of the artist
Alphonse Legros (d. 1911)
1880 · Etching and drypoint; third state of four
Cleared · Public Domain
liveThe MetSimilar
Portrait of Edward D. Adams
Alphonse Legros (d. 1911)
1892 · Drypoint and etching; third state of three
Cleared · Public Domain
liveThe MetSimilar
Portrait of Edward D. Adams
Alphonse Legros (d. 1911)
1892 · Drypoint and etching; second state of three
Cleared · Public Domain
liveThe MetSimilar
Tableau synoptic des traits physionomiques: pour servir a l'étude du "portrait parlé"
Alphonse Bertillon (d. 1914)
ca. 1909 · Gelatin silver print
Cleared · Public Domain
liveThe MetSimilar
Portrait of Auguste Rodin
Alphonse Legros (d. 1911)
1860–1910 · Etching in brown ink
Cleared · Public Domain
liveThe MetSimilar
Self-Portrait
Alphonse Legros (d. 1911)
1837–1911 · Graphite on wove paper
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Alphonse Karr
Nadar (d. 1910)
1855–60 · Albumen silver print from glass negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Alphonse Bertillon Demonstrating Identity Portrait Technique in a Skylit Photography Studio]
Alphonse Bertillon (d. 1914)
ca. 1893 · Albumen silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Florestan Mionnet
Alphonse Legros (d. 1911)
late 19th century · Drypoint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Jules Dalou
Alphonse Legros (d. 1911)
late 19th century · Etching
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.