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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    489 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    489 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Portrait of Carlos Orozco Romero, from t"8 records

Institutions answered newest-first by record, interleaved

Portrait of a Man by Jacob Backer, The Metropolitan Museum of Art

Portrait of a Man

Jacob Backer (d. 1651)

ca. 1645–50 · Black chalk, heightened with white, with touches of red chalk (recto); pen and brown ink, brush and gray wash over black chalk (verso)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Poster advertising an exhibition of the work of Carlos Orozco Romero at the Galleria de Arte Moderno (9–22 March); portrait of Orozco upper left

María Marín de Orozco (d. 1990)

1927 · Woodcut, letterpress, in red and black, backed with linen

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Poster advertising an exhibition of the work of Carlos Orozco Romero at the Galleria de Arte Moderno; portrait of Orozco upper left

María Marín de Orozco (d. 1990)

1927 · Woodcut, letterpress, in red and black, backed with linen

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Carlos Orozco Romero, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).

María Marín de Orozco (d. 1990)

ca. 1924 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Poster warning of the dangers of fetal alcohol syndrome

Carlos Orozco Romero (d. 1984)

Ca. 1928–1930 · Woodcut, letterpress, in orange and black, backed with linen

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Maya Temple, from "Tres Aguafuertes en Color"

Carlos Orozco Romero (d. 1984)

1939 · Color aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two figures dancing beneath a moon, from "Tres Aguafuertes en Color"

Carlos Orozco Romero (d. 1984)

1939 · Color aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two figures dancing, from "Tres Aguafuertes en Color"

Carlos Orozco Romero (d. 1984)

1939 · Color aquatint

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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