Portrait of Walter Devereux (1539–1576), First Earl of Essex
British Painter
dated 1572 · Oil on wood
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
321 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
552 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 371 matching records exist across the two collections.
Results for "Portrait of Chaim, Number 1"11 records
Institutions answered newest-first by record, interleaved
Portrait of Sinan the Great
Dominicus Custos (d. 1612)
1595 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Watch with portrait of Friedrick Wilhelm, the Great Elector
Johann G. Racine (d. 1748)
case ca. 1688, movement ca. 1750 · Case: painted enamel on gold; Movement: brass and steel
Cleared · Public Domain
liveThe MetSimilar
Card Number 1, cut-out from banner advertising the Opera Gloves series (G29) for Allen & Ginter Cigarettes
Allen & Ginter
ca. 1890 · Commercial color lithograph
Cleared · Public Domain
liveThe MetSimilar
Card Number 12, cut-out from banner advertising the Opera Gloves series (G29) for Allen & Ginter Cigarettes
Allen & Ginter
ca. 1890 · Commercial color lithograph
Cleared · Public Domain
liveThe MetSimilar
Card Number 16, cut-out from banner advertising the Opera Gloves series (G29) for Allen & Ginter Cigarettes
Allen & Ginter
ca. 1890 · Commercial color lithograph
Cleared · Public Domain
liveThe MetSimilar
Card Number 18, cut-out from banner advertising the Opera Gloves series (G29) for Allen & Ginter Cigarettes
Allen & Ginter
ca. 1890 · Commercial color lithograph
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Page, Volume 1
Edward Gordon Craig (d. 1966)
1898 · Illustrations: woodcuts, some hand-colored
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Self-Portrait, Number 1
Isabel Bishop (d. 1988)
ca. 1927 · Oil on canvas
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Warhead I
Nancy Burson (d. 9999)
1982 · Gelatin silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Chaim, Number 1
Leon Kossoff (d. 2019)
1987 · Oil on Masonite
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.