
Study of Hands
Charles Joseph Natoire (d. 1777)
ca. 1761 · Black and white chalks on blue paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
299 ms. The Metropolitan Museum of Art, Collection API (Open Access)
285 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 37 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Study of Hands
Charles Joseph Natoire (d. 1777)
ca. 1761 · Black and white chalks on blue paper
Cleared · Public Domain
live
Rubens, his wife Helena Fourment, and their Child
Charles Phillips (d. 1783)
ca. 1770 · Mezzotint
Cleared · Public Domain
live
The Walnut Tree of Emperor Charles V, Yuste
Charles Clifford (d. 1863)
1858 · Albumen silver print from glass negative
Cleared · Public Domain
live
Portrait of the Duke de Loubat
Frédéric Charles Victor de Vernon (d. 1912)
20th century · Bronze, struck
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Charles, Duke of Södermanland
Aegidius Sadeler II (d. 1629)
1586–1629 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Charles, duke of Silesia
Jan van de Velde II (d. 1641)
1613–41 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Charles I, Charles Prince of Wales, and James Duke of York with two dogs
Anonymous, Netherlandish, 17th century (d. 1700)
1640–60 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Marie de Rohan
Charles David (d. 1639)
17th century · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of James Scott, Duke of Monmouth and Bucceleuch, illegitimate son of Charles II on Horseback
Francis Barlow (d. 1704)
1665–75 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Charles Fitz Roy, Duke of Grafton, &c.c.
John Faber the Younger (d. 1756)
1731 · Mezzotint with etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Charles FitzRoy, Duke of Grafton
John Faber, the Younger (d. 1756)
1731 · Mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fortune Teller
Charles Turner (d. 1857)
1823 · Mezzotint; second state of two
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.