Unite: Charles I (obverse); Crowned Shield (reverse)
Nicholas Briot (d. 1646)
1631–32 · Coins, gold
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
377 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 13 matching records exist across the two collections.
Results for "Portrait of Charles I"12 records
Institutions answered newest-first by record, interleaved
Portrait of Charles I (1600–1649)
Anthony van Dyck (d. 1641)
1600s or later · Painting, oil on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
Portrait of a Woman
Jean Petitot (d. 1691)
c. 1670 · Portrait Miniature, enamel in a silver gilt frame
Cleared · CC0
liveCleveland Museum of ArtSimilar
Portrait of Samuel Butler
Bernard Lens (d. 1740)
c. 1715–20 · Portrait Miniature, watercolor on ivory in a period metal frame
Cleared · CC0
liveCleveland Museum of ArtSimilar
Portrait of Prince Alexander Bezborodko
Pierre-Charles Cior (d. 1840)
mid- to late 1700s · Portrait Miniature, watercolor on ivory in a 19th-century gilt metal frame
Cleared · CC0
liveCleveland Museum of ArtSimilar
Portrait of King Louis XIV
Jean Petitot (d. 1691)
1600s · Portrait Miniature, enamel in a silver and diamond frame
Cleared · CC0
liveCleveland Museum of ArtSimilar
Portrait of a Man
John Hoskins (d. 1665)
c. 1625 · Portrait Miniature, watercolor on vellum with gold border
Cleared · CC0
liveCleveland Museum of ArtSimilar
Portrait of a Man
Unrecorded maker
1500s · Drawing, black and red chalk, with brown and purple chalk, heightened with white gouache
Cleared · CC0
liveCleveland Museum of ArtSimilar
Snuff Box with Portrait of Charles I, Duke of Brunswick
Fürstenberg Porcelain Factory
c. 1770 · Miscellaneous, porcelain plaques set in metal mounts
Cleared · CC0
liveCleveland Museum of ArtSimilar
Broad: Oliver Cromwell Lord Protector (obverse); Crowned Shield of Arms (reverse)
Thomas Simon
1656 · Coins, gold
Cleared · CC0
liveCleveland Museum of ArtSimilar
Calligraphic exercises and verses of Hafiz (Persian, about 1325–1389) (verso)
Mahmud ibn Ishaq al-Shahabi
1575–76 · Calligraphy, Gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
At the Sea Side
James Tissot (d. 1902)
1880 · Print, etching and drypoint
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.