Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
636 ms. The Metropolitan Museum of Art, Collection API (Open Access)
370 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino (d. 1540)
1530–37 · Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash.
Cleared · Public Domain
live
Grand Salon from the Hôtel de Tessé, Paris
Nicolas Huyot (d. 1791)
ca. 1768–72, with later additions · Carved, painted, and gilded oak; bleu turquin marble, gilt bronze; plaster
Cleared · Public Domain
live
Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848)
Elisabeth Louise Vigée Le Brun (d. 1842)
1789 · Oil on canvas
Cleared · Public Domain
live
Armchair (Fauteuil à la reine)
Georges Jacob (d. 1814)
ca. 1785 · Carved and gilded beech; silk upholstery (not original)
Cleared · Public Domain
live
Portrait of a Woman, Said to Be the Comtesse de Guiche
French Painter
1800 · Ivory
Cleared · Public Domain
live
Comtesse de La Tour-Maubourg (Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816–1850)
Théodore Chassériau (d. 1856)
1841 · Oil on canvas
Cleared · Public Domain
live
Costigliole
Pierre-Louis Pierson (d. 1913)
1862–67 · Albumen silver print from glass negative with applied color
Cleared · Public Domain
live
Portrait of Comtesse A. Thibaudeau
Léopold Flameng (d. 1911)
1868 · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Countess Brushes Her Hair (Esmérée) or Dancing Music (Esmérée)
Emile Bernard (d. 1941)
1892 · Zincograph printed in sepia
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Countess Combing Her Hair (Esmérée) or Dancing Music (Esmérée)
Emile Bernard (d. 1941)
1892 · Zincograph printed in sepia
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait de la Comtesse Anna de Noailles
Romaine Brooks (d. 1970)
ca. 1908 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.