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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    570 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    375 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Portrait of Julienne and Watteau in Gard"10 records

Institutions answered newest-first by record, interleaved

Gentleman Seated in an Armchair by Charles de la Fosse, The Metropolitan Museum of Art

Gentleman Seated in an Armchair

Charles de la Fosse (d. 1716)

late 17th century–early 18th century · Red, black, and white chalk, on beige paper

Cleared · Public Domain

live
The MetSimilar
Portrait of Julienne and Watteau in Garden Playing Violincello by Nicolas Henry Tardieu, The Metropolitan Museum of Art

Portrait of Julienne and Watteau in Garden Playing Violincello

Nicolas Henry Tardieu (d. 1749)

1731 · Etching with engraving

Cleared · Public Domain

live
The MetSimilar
François de Jullienne (1722–1754) and Marie Elisabeth de Jullienne (Marie Elisabeth de Séré de Rieux, 1724–1795) by Charles Antoine Coypel, The Metropolitan Museum of Art

François de Jullienne (1722–1754) and Marie Elisabeth de Jullienne (Marie Elisabeth de Séré de Rieux, 1724–1795)

Charles Antoine Coypel (d. 1752)

1743 · Pastel, black chalk, watercolor, and traces of black chalk underdrawing on four joined sheets of handmade blue laid paper, mounted on canvas and adhered to a keyed stretcher

Cleared · Public Domain

live
The MetSimilar
The Four Seasons by Antoine Watteau, The Metropolitan Museum of Art

The Four Seasons

Antoine Watteau (d. 1721)

second quarter 18th century · Canvas, painted in oil, with damask backing

Cleared · Public Domain

live
The MetSimilar
Fêtes Venitiennes by Robert Hancock, The Metropolitan Museum of Art

Fêtes Venitiennes

Robert Hancock (d. 1817)

ca.1751–56 · Enamel on copper

Cleared · Public Domain

live
The MetSimilar
Toilet box by Antoine Watteau, The Metropolitan Museum of Art

Toilet box

Antoine Watteau (d. 1721)

ca. 1750–60 · Enamel on copper

Cleared · Public Domain

live
The MetSimilar
Snuffbox by Charles Nicolas Cochin II, The Metropolitan Museum of Art

Snuffbox

Charles Nicolas Cochin II (d. 1790)

ca. 1765–70 · Enamel on copper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I / Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II

Francesco Bartolozzi (d. 1815)

1792–98 · Etching, engraving, stipple, and tonal process, printed in brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Julien Levy

Berenice Abbott (d. 1991)

1930 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Coal Dock Worker

Walker Evans (d. 1975)

1933 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.