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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    549 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    376 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 32 matching records exist across the two collections.

Results for "Portrait of Kiyohara no Motosuke, from t"12 records

Institutions answered newest-first by record, interleaved

Portrait of Minamoto no Muneyuki, from the “Fujifusa Version of the Handscroll of Thirty-Six Poetic Immortals” by Emperor Godaigo, The Metropolitan Museum of Art

Portrait of Minamoto no Muneyuki, from the “Fujifusa Version of the Handscroll of Thirty-Six Poetic Immortals”

Emperor Godaigo (d. 1339)

early 15th century · Hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Ariwara Narihira, from the “Fujifusa Version” of Thirty-six Poetic Immortals (Fujifusa-bon Sanjūrokkasen emaki) by an unrecorded maker, The Metropolitan Museum of Art

Ariwara Narihira, from the “Fujifusa Version” of Thirty-six Poetic Immortals (Fujifusa-bon Sanjūrokkasen emaki)

Unrecorded maker

first half 15th century · Hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Portrait of Kiyohara no Motosuke, from the “Tameshige Version of Poetry Competition of Poets of Different Eras” (Tameshige-bon Jidai fudō uta-awase) by Unidentified artist, The Metropolitan Museum of Art

Portrait of Kiyohara no Motosuke, from the “Tameshige Version of Poetry Competition of Poets of Different Eras” (Tameshige-bon Jidai fudō uta-awase)

Unidentified artist

15th century · Section of a handscroll mounted as a hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Poet Koōgimi, from the “Fujifusa Version” of Thirty-six Poetic Immortals (Fujifusa-bon Sanjūrokkasen emaki)l by an unrecorded maker, The Metropolitan Museum of Art

The Poet Koōgimi, from the “Fujifusa Version” of Thirty-six Poetic Immortals (Fujifusa-bon Sanjūrokkasen emaki)l

Unrecorded maker

15th century · Handscroll fragment mounted as a hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Portrait of Sen no Rikyū with his Death Poem by Unidentified artist, The Metropolitan Museum of Art

Portrait of Sen no Rikyū with his Death Poem

Unidentified artist

early 17th century · Hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals by Iwasa Matabei 岩佐又兵衛, The Metropolitan Museum of Art

Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals

Iwasa Matabei 岩佐又兵衛 (d. 1650)

1620s–1630s · Hanging scroll: ink, color, gold and silver on paper

Cleared · Public Domain

live
The MetSimilar
Portrait of a Man by Jacob Backer, The Metropolitan Museum of Art

Portrait of a Man

Jacob Backer (d. 1651)

ca. 1645–50 · Black chalk, heightened with white, with touches of red chalk (recto); pen and brown ink, brush and gray wash over black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Standing Courtesan by Tōsendō Rifū, The Metropolitan Museum of Art

Standing Courtesan

Tōsendō Rifū (d. 1740)

ca. 1720 · Hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Ono no Komachi: Number Two (Sono ni), from the series Stylish Parodies of the Six Poetic Immortals (Fūryū yatsushi rokkasen) by Chōbunsai Eishi, The Metropolitan Museum of Art

Ono no Komachi: Number Two (Sono ni), from the series Stylish Parodies of the Six Poetic Immortals (Fūryū yatsushi rokkasen)

Chōbunsai Eishi (d. 1829)

1790s · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2 by Rudolph Ackermann, London, The Metropolitan Museum of Art

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2

Rudolph Ackermann, London (d. 1832)

July–December 1809 · Illustrations: hand-colored etching, engraving, woodcut, and textile samples

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)

John Ruskin (d. 1900)

1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé

In copyright

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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