Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    185 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    492 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 159 matching records exist across the two collections.

Results for "Portrait of Louise Marie, Queen of Polan"11 records

Institutions answered newest-first by record, interleaved

Portrait of Louise Marie, Queen of Poland and Sweden by Robert Nanteuil, The Metropolitan Museum of Art

Portrait of Louise Marie, Queen of Poland and Sweden

Robert Nanteuil (d. 1678)

1653 · Engraving

Cleared · Public Domain

live
The MetSimilar
Marie Antoinette by Marie Louise Adélaide Boizot, The Metropolitan Museum of Art

Marie Antoinette

Marie Louise Adélaide Boizot (d. 1800)

1775 · Etching

Cleared · Public Domain

live
The MetSimilar
Marie Antoinette, Queen of France by Jean-Baptiste Isabey, The Metropolitan Museum of Art

Marie Antoinette, Queen of France

Jean-Baptiste Isabey (d. 1855)

1783 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Marie Antoinette in a Park by Elisabeth Louise Vigée Le Brun, The Metropolitan Museum of Art

Marie Antoinette in a Park

Elisabeth Louise Vigée Le Brun (d. 1842)

ca. 1780–81 · Black chalk, stumped, and white chalk; framing lines in black chalk

Cleared · Public Domain

live
The MetSimilar
Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848) by Elisabeth Louise Vigée Le Brun, The Metropolitan Museum of Art

Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848)

Elisabeth Louise Vigée Le Brun (d. 1842)

1789 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Portrait of Marie Antoinette by Anonymous, French, 18th century, The Metropolitan Museum of Art

Portrait of Marie Antoinette

Anonymous, French, 18th century (d. 1800)

late 18th century · Color stipple engraving

Cleared · Public Domain

live
The MetSimilar
Portrait of Marie Antoinette by John Curtis, The Metropolitan Museum of Art

Portrait of Marie Antoinette

John Curtis (d. 1800)

1786–1800 · Color stipple engraving and etching

Cleared · Public Domain

live
The MetSimilar
Marie-Louise Pailleron by John Singer Sargent, The Metropolitan Museum of Art

Marie-Louise Pailleron

John Singer Sargent (d. 1925)

ca. 1881 · Ink applied with pen and brush on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
Portrait of Mlle Quivoron by Marie Bracquemond, The Metropolitan Museum of Art

Portrait of Mlle Quivoron

Marie Bracquemond (d. 1916)

1860–1914 · Etching, drypoint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Marie Antoinette, Queen of France

Barthélemy Joseph Fulcran Roger (d. 1841)

1828 · Etching; first state before letters

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Marie-Louise Marsy

Henri de Toulouse-Lautrec (d. 1901)

1898, published ca. 1901−06 · Lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.