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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    403 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    302 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 817 matching records exist across the two collections.

Results for "Portrait of Mary Wise"12 records

Institutions answered newest-first by record, interleaved

Portrait of Gerard Edema by Mary Beale, The Metropolitan Museum of Art

Portrait of Gerard Edema

Mary Beale (d. 1699)

ca. 1680 · Gray washes and touches of white gouache (bodycolor) over graphite

Cleared · Public Domain

live
The MetSimilar
Portrait of Mary Wise by Thomas Gainsborough, The Cleveland Museum of Art

Portrait of Mary Wise

Thomas Gainsborough (d. 1788)

c. 1774 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Portrait of Mary Stuart by Romeyn de Hooghe, The Metropolitan Museum of Art

Portrait of Mary Stuart

Romeyn de Hooghe (d. 1708)

n.d. · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Silhouette Portrait of Henry Alexander Wise

William Henry Brown (d. 1883)

1844 · Lithograph with tint stone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Sarah Siddons

Mary Turner (d. 1850)

1830–50 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of the Artist

Mary Cassatt (d. 1926)

1878 · Watercolor, gouache on wove paper laid down to buff-colored wood-pulp paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of George Moore

Mary Cassatt (d. 1926)

ca. 1881 · Soft-ground etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of a Young Girl

Mary Cassatt (d. 1926)

1899 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Adine Kelekian, Age Five

Mary Cassatt (d. 1926)

1908 · Pastel

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Charles Dikran Kelekian, Age Eight

Mary Cassatt (d. 1926)

1908 · pastel

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled Self-Portrait

Mary T. Smith (d. 1995)

1988 · Commercial paint on plywood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Self-Portrait (Matisse Print)

Mary Beth McKenzie (d. 9999)

1991 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.