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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    605 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    414 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 367 matching records exist across the two collections.

Results for "Portrait of Philip II facing right"12 records

Institutions answered newest-first by record, interleaved

Silver tetradrachm of Philip II by an unrecorded maker, The Metropolitan Museum of Art

Silver tetradrachm of Philip II

Unrecorded maker

ca. 359–355 BC · Silver

Cleared · Public Domain

live
The MetSimilar
Silver Tetradrachm of Philip II by an unrecorded maker, The Metropolitan Museum of Art

Silver Tetradrachm of Philip II

Unrecorded maker

ca. 359–355 BC · Silver

Cleared · Public Domain

live
The MetSimilar
Portrait of Philip II facing right by Giulio Bonasone, The Metropolitan Museum of Art

Portrait of Philip II facing right

Giulio Bonasone (d. 1576)

ca. 1554 · Engraving

Cleared · Public Domain

live
The MetSimilar
Portrait medal of Philip II (obverse); Mary Tudor Queen of England (reverse) by Jacopo Nizolla da Trezzo, The Metropolitan Museum of Art

Portrait medal of Philip II (obverse); Mary Tudor Queen of England (reverse)

Jacopo Nizolla da Trezzo (d. 1589)

1555 · Silver/copper alloy with traces of lead.

Cleared · Public Domain

live
The MetSimilar
Portrait of Pope Marcellus II, right hand raised facing left by Giulio Bonasone, The Metropolitan Museum of Art

Portrait of Pope Marcellus II, right hand raised facing left

Giulio Bonasone (d. 1576)

ca. 1555 · Engraving

Cleared · Public Domain

live
The MetSimilar
Philip Melanchthon, Full-Length Towards the Right by Lucas Cranach the Younger, The Metropolitan Museum of Art

Philip Melanchthon, Full-Length Towards the Right

Lucas Cranach the Younger (d. 1586)

1561 · Woodcut; first state of six (Hollstein)

Cleared · Public Domain

live
The MetSimilar
Portrait of Rudolph II by Aegidius Sadeler II, The Metropolitan Museum of Art

Portrait of Rudolph II

Aegidius Sadeler II (d. 1629)

1603 · Engraving

Cleared · Public Domain

live
The MetSimilar
Portrait of Philip III, King of Spain by Pieter de Jode II, The Metropolitan Museum of Art

Portrait of Philip III, King of Spain

Pieter de Jode II (d. 1674)

ca. 1650 · Engraving

Cleared · Public Domain

live
The MetSimilar
Bust portrait of Philip Rubens, in a niche by Cornelis Galle II, The Metropolitan Museum of Art

Bust portrait of Philip Rubens, in a niche

Cornelis Galle II (d. 1678)

ca. 1627–78 · Engraving; second state of two (Hollstein)

Cleared · Public Domain

live
The MetSimilar
A portrait of a man, facing right by Rudolf van Walburg, The Metropolitan Museum of Art

A portrait of a man, facing right

Rudolf van Walburg

1660s-1680s · Graphite, black chalk and black ink, yellow-brown wash on vellum

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bust portrait of Guercino facing right

Ottavio Leoni (Il Padovano) (d. 1630)

1623 · Engraving and etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait bust of a woman facing right

Paris Mint

17th (?) and 20th century · Bronze

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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