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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    762 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    373 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 160 matching records exist across the two collections.

Results for "Portrait of Philip IV, King of Spain"12 records

Institutions answered newest-first by record, interleaved

Philip IV (1605–1665), King of Spain by Velázquez (Diego Rodríguez de Silva y Velázquez), The Metropolitan Museum of Art

Philip IV (1605–1665), King of Spain

Velázquez (Diego Rodríguez de Silva y Velázquez) (d. 1660)

probably 1624 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Portrait of the Jester Calabazas by Diego Velázquez, The Cleveland Museum of Art

Portrait of the Jester Calabazas

Diego Velázquez (d. 1660)

c. 1631–32 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Portrait of Philip IV by Paulus Pontius, The Metropolitan Museum of Art

Portrait of Philip IV

Paulus Pontius (d. 1658)

1630 · Engraving; second state of three

Cleared · Public Domain

live
The MetSimilar
Portrait of Philip IV by Paulus Pontius, The Metropolitan Museum of Art

Portrait of Philip IV

Paulus Pontius (d. 1658)

1630 · Engraving; third state of three

Cleared · Public Domain

live
The MetSimilar
Plate 2: Portrait of Philip IV, King of Spain, being crowned; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' by Johannes Meursius, The Metropolitan Museum of Art

Plate 2: Portrait of Philip IV, King of Spain, being crowned; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'

Johannes Meursius (d. 1699)

1636 · Engraving

Cleared · Public Domain

live
The MetSimilar
Portrait of Philip IV, King of Spain, from 'Counts and Countesses of Holland, Zeeland, and West-Frisia' by Cornelis Visscher, The Metropolitan Museum of Art

Portrait of Philip IV, King of Spain, from 'Counts and Countesses of Holland, Zeeland, and West-Frisia'

Cornelis Visscher (d. 1658)

1650 · Engraving and etching; third state of three (Hollstein)

Cleared · Public Domain

live
The MetSimilar
Portrait of Philip III, King of Spain by Pieter de Jode II, The Metropolitan Museum of Art

Portrait of Philip III, King of Spain

Pieter de Jode II (d. 1674)

ca. 1650 · Engraving

Cleared · Public Domain

live
The MetSimilar
Portrait of Philip IV, King of Spain by Jacob Louys, The Metropolitan Museum of Art

Portrait of Philip IV, King of Spain

Jacob Louys (d. 1673)

ca. 1615–57 · Engraving and etching

Cleared · Public Domain

live
The MetSimilar
Portrait of Philip IV by Anonymous, The Metropolitan Museum of Art

Portrait of Philip IV

Anonymous

ca. 1650–1700 · Engraving; copy (undescribed)

Cleared · Public Domain

live
The MetSimilar
Equestrian statuette, possibly of Philip IV, King of Spain by Pietro Tacca, The Metropolitan Museum of Art

Equestrian statuette, possibly of Philip IV, King of Spain

Pietro Tacca (d. 1640)

17th century, cast possibly 19th century · Bronze, on later wood base

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Philip IV of Spain

Wenceslaus Hollar (d. 1677)

1652 · Etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Philip IV of Spain

Wenceslaus Hollar (d. 1677)

1652 · Etching; second state of two

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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