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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    1092 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    373 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Portrait of Pope Sixtus IV della Rovere"12 records

Institutions answered newest-first by record, interleaved

Medal: Sixtus IV by Lysippus the Younger, The Metropolitan Museum of Art

Medal: Sixtus IV

Lysippus the Younger

1471 · Bronze (Copper alloy with warm brown patina and remnants of black wax or lacquer)

Cleared · Public Domain

live
The MetSimilar
Portrait of Pope Sixtus IV della Rovere by Pedro Berruguete, The Cleveland Museum of Art

Portrait of Pope Sixtus IV della Rovere

Pedro Berruguete (d. 1503)

c. 1476–82 · Painting, oil on wood, transferred to canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Medal: Sixtus IV by Lysippus the Younger, The Metropolitan Museum of Art

Medal: Sixtus IV

Lysippus the Younger

1471 · Silver

Cleared · Public Domain

live
The MetSimilar
Pope Sixtus IV (Francesco della Rovere, 1414–1484) by Lysippus the Younger, The Metropolitan Museum of Art

Pope Sixtus IV (Francesco della Rovere, 1414–1484)

Lysippus the Younger (d. 1484)

1471 · Bronze

Cleared · Public Domain

live
The MetSimilar
Portrait medal of Giovanni Alvise Toscani by Lysippus the Younger, The Metropolitan Museum of Art

Portrait medal of Giovanni Alvise Toscani

Lysippus the Younger

ca. 1475 (possibly cast early 16th century) · Bronze (copper alloy with a warm brown patina)

Cleared · Public Domain

live
The MetSimilar
Pope Sixtus IV (Francesco della Rovere, 1414–84, r. 1471–84) by Andrea Guazzalotti, The Metropolitan Museum of Art

Pope Sixtus IV (Francesco della Rovere, 1414–84, r. 1471–84)

Andrea Guazzalotti (d. 1495)

1481 · Bronze

Cleared · Public Domain

live
The MetSimilar
Giuliano and Clemente della Rovere by Giovanni Filangieri Candida, The Metropolitan Museum of Art

Giuliano and Clemente della Rovere

Giovanni Filangieri Candida (d. 1504)

ca. 1494 · Bronze, cast

Cleared · Public Domain

live
The MetSimilar
Pope Sixtus IV (Francesco della Rovere, 1471–1484) by Andrea Guazzalotti, The Metropolitan Museum of Art

Pope Sixtus IV (Francesco della Rovere, 1471–1484)

Andrea Guazzalotti (d. 1495)

15th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Sixtus IV (Francesco della Rovere 1414-84), Pope 1471-84 by Unknown, The Metropolitan Museum of Art

Sixtus IV (Francesco della Rovere 1414-84), Pope 1471-84

Unknown

1400–1499 · Lead

Cleared · Public Domain

live
The MetSimilar
Design for the Tomb of Pope Julius II della Rovere by Michelangelo Buonarroti, The Metropolitan Museum of Art

Design for the Tomb of Pope Julius II della Rovere

Michelangelo Buonarroti (d. 1564)

1505–6 · Pen and brown ink, brush and brown wash, over stylus ruling and leadpoint

Cleared · Public Domain

live
The MetSimilar
Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc. by workshop of Giovanni Maria Vasaro, The Metropolitan Museum of Art

Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc.

workshop of Giovanni Maria Vasaro (d. 1530)

1508 · Maiolica (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Design for a Freestanding Tomb Seen in Elevation and Plan by Antonio da Sangallo, the Younger, The Metropolitan Museum of Art

Design for a Freestanding Tomb Seen in Elevation and Plan

Antonio da Sangallo, the Younger (d. 1546)

1530–35 · Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements

Cleared · Public Domain

live
The MetSimilar

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