
Design for a frontispiece
Abraham Bloemaert (d. 1651)
ca. 1617-25 · Pen and brown ink and gray wash over black chalk on antique laid paper, mounted
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
418 ms. The Metropolitan Museum of Art, Collection API (Open Access)
318 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 29 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a frontispiece
Abraham Bloemaert (d. 1651)
ca. 1617-25 · Pen and brown ink and gray wash over black chalk on antique laid paper, mounted
Cleared · Public Domain
live
Louis XIV: Birth of the duc de Berry, 31 August 1686
Jean Mauger (d. 1722)
1693 · Bronze with partial gilding
Cleared · Public Domain
live
Portrait of Victor Amédée, roi de Sairdaigne
Augustin de Saint-Aubin (d. 1807)
1777 · Etching and engraving; fourth state of four (Bocher)
Cleared · Public Domain
live
Louis Seize, Roi des Français, Restaurateur de la Liberté (Louis XVI, Restorer of Liberty)
Charles Clément Bervic (d. 1822)
1790 · Etching and engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait de chien de Madame de Pompadour (Bébé [?]) (Portrait of a Dog Belonging to Madame de Pompadour (Bébé[?]), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Madame la Marquise de Pompadour (d. 1764)
ca. 1755 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait de Mimi, chien de Madame de Pompadour (Portrait of Mimi, Dog Belonging to Madame de Pompadour), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Madame la Marquise de Pompadour (d. 1764)
ca. 1755 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Roi de Pologne, Électeur de Saxe, from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Madame la Marquise de Pompadour (d. 1764)
ca. 1755 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Madame de Pompadour, included in the album containing Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Claude Antoine Littret de Montigny (d. 1775)
1764 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Portrait Reconnu (The Recognised Portrait), from Choix de chansons mises en musique par M. De La Borde, Premier Valet-de-Chambre ordinaire du Roi, Gouverneur du Louvre. Ornées d'Estampes Par J.M. Moreau, Dédiées à Madame la Dauphine. A Paris Chez de Lormel, Imprimeur de l'Académie Royale de Musique rue du Foin Saint-Jacques. MDCCLXXIII. Avec Aprobation et Privilège du roi. Gravées par Moira et M.lle Vendôme
Jean Michel Moreau le Jeune (d. 1814)
1772 · Etching and engraving; second state of five (bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Charles-Emmanuel Roi de Sardaigne
Louis Simon Lempereur (d. 1807)
published in 1773 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette with Portrait of Louis XV in profile on a medallion with death at lower left attempting to cover the coin and a winged genius at right, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.
Louis Simon Lempereur (d. 1807)
1774 · Etching and engraving; fourth state of four (Bocher)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.