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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    418 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    318 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 29 matching records exist across the two collections.

Results for "Portrait of Roi de Pologne, Électeur de"11 records

Institutions answered newest-first by record, interleaved

Design for a frontispiece by Abraham Bloemaert, The Metropolitan Museum of Art

Design for a frontispiece

Abraham Bloemaert (d. 1651)

ca. 1617-25 · Pen and brown ink and gray wash over black chalk on antique laid paper, mounted

Cleared · Public Domain

live
The MetSimilar
Louis XIV: Birth of the duc de Berry, 31 August 1686 by Jean Mauger, The Metropolitan Museum of Art

Louis XIV: Birth of the duc de Berry, 31 August 1686

Jean Mauger (d. 1722)

1693 · Bronze with partial gilding

Cleared · Public Domain

live
The MetSimilar
Portrait of Victor Amédée, roi de Sairdaigne by Augustin de Saint-Aubin, The Metropolitan Museum of Art

Portrait of Victor Amédée, roi de Sairdaigne

Augustin de Saint-Aubin (d. 1807)

1777 · Etching and engraving; fourth state of four (Bocher)

Cleared · Public Domain

live
The MetSimilar
Louis Seize, Roi des Français, Restaurateur de la Liberté (Louis XVI, Restorer of Liberty) by Charles Clément Bervic, The Metropolitan Museum of Art

Louis Seize, Roi des Français, Restaurateur de la Liberté (Louis XVI, Restorer of Liberty)

Charles Clément Bervic (d. 1822)

1790 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait de chien de Madame de Pompadour (Bébé [?]) (Portrait of a Dog Belonging to Madame de Pompadour (Bébé[?]), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi

Madame la Marquise de Pompadour (d. 1764)

ca. 1755 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait de Mimi, chien de Madame de Pompadour (Portrait of Mimi, Dog Belonging to Madame de Pompadour), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi

Madame la Marquise de Pompadour (d. 1764)

ca. 1755 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Roi de Pologne, Électeur de Saxe, from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi

Madame la Marquise de Pompadour (d. 1764)

ca. 1755 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Madame de Pompadour, included in the album containing Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi

Claude Antoine Littret de Montigny (d. 1775)

1764 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Le Portrait Reconnu (The Recognised Portrait), from Choix de chansons mises en musique par M. De La Borde, Premier Valet-de-Chambre ordinaire du Roi, Gouverneur du Louvre. Ornées d'Estampes Par J.M. Moreau, Dédiées à Madame la Dauphine. A Paris Chez de Lormel, Imprimeur de l'Académie Royale de Musique rue du Foin Saint-Jacques. MDCCLXXIII. Avec Aprobation et Privilège du roi. Gravées par Moira et M.lle Vendôme

Jean Michel Moreau le Jeune (d. 1814)

1772 · Etching and engraving; second state of five (bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Charles-Emmanuel Roi de Sardaigne

Louis Simon Lempereur (d. 1807)

published in 1773 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette with Portrait of Louis XV in profile on a medallion with death at lower left attempting to cover the coin and a winged genius at right, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.

Louis Simon Lempereur (d. 1807)

1774 · Etching and engraving; fourth state of four (Bocher)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.