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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    651 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    349 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 36 matching records exist across the two collections.

Results for "Portrait of Sarah Troost, the artist's d"12 records

Institutions answered newest-first by record, interleaved

Portrait of the Artist's Daughter Agata Dolci by Carlo Dolci, The Metropolitan Museum of Art

Portrait of the Artist's Daughter Agata Dolci

Carlo Dolci (d. 1687)

1676–80 · Red and black chalk on pale gray paper

Cleared · Public Domain

live
The MetSimilar
Pastiche of Self Portrait [with Saskia] and the Artist's Mother with Her Hand on Her Chest: Small Bust by Jean de Bary, The Metropolitan Museum of Art

Pastiche of Self Portrait [with Saskia] and the Artist's Mother with Her Hand on Her Chest: Small Bust

Jean de Bary (d. 1759)

18th century (pastiche printed from two of Rembrandt's original plates) · Etching

Cleared · Public Domain

live
The MetSimilar
Hagar and Ishmael in the Wilderness (recto); Two portrait studies of the artist's wife, and a study of a leg and torso (verso) by George Richmond, The Metropolitan Museum of Art

Hagar and Ishmael in the Wilderness (recto); Two portrait studies of the artist's wife, and a study of a leg and torso (verso)

George Richmond (d. 1896)

1829–33 · Graphite, pen and black ink, brush and black wash, with white gouache (bodycolor) (recto); graphite and black chalk with touches of gouache (bodycolor) (verso)

Cleared · Public Domain

live
The MetSimilar
Isaac Newton Phelps by Chauncey Bradley Ives, The Metropolitan Museum of Art

Isaac Newton Phelps

Chauncey Bradley Ives (d. 1894)

1854; carved 1855 · Marble

Cleared · Public Domain

live
The MetSimilar
Portrait of Mirza Hashem Amin Khalvat by Abu`l Hasan Ghaffari, known as Sani' al-Mulk, The Metropolitan Museum of Art

Portrait of Mirza Hashem Amin Khalvat

Abu`l Hasan Ghaffari, known as Sani' al-Mulk (d. 1866)

mid-19th century · Graphite on paper

Cleared · Public Domain

live
The MetSimilar
River Landscape by William Morris Hunt, The Metropolitan Museum of Art

River Landscape

William Morris Hunt (d. 1879)

ca. 1877 · Charcoal on off-white laid paper

Cleared · Public Domain

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The MetSimilar
Ferdinand de Lesseps (French, Versailles 1805 – 1894 Guilly) by Jean-Désiré Ringel d'Illzach, The Metropolitan Museum of Art

Ferdinand de Lesseps (French, Versailles 1805 – 1894 Guilly)

Jean-Désiré Ringel d'Illzach (d. 1916)

1884 · Bronze

Cleared · Public Domain

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The MetSimilar
The Artist's Father and Mother by Olin Levi Warner, The Metropolitan Museum of Art

The Artist's Father and Mother

Olin Levi Warner (d. 1896)

1879, cast 1897–98 · Bronze

Cleared · Public Domain

live
The MetSimilar
Frances Anne (Fanny) Kemble by Anonymous, British, 19th century, The Metropolitan Museum of Art

Frances Anne (Fanny) Kemble

Anonymous, British, 19th century (d. 1900)

19th century · Brush and brown and gray wash, touches of red chalk over graphite

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Sarah Troost, the artist's daughter

Cornelis Troost (d. 1750)

1734 · Mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Hubbell Children

Ralph Earl (d. 1801)

1788 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hei Tiki (female)

Fiona Pardington

2002 (reprinted 2024) · Inkjet

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.