John Churchill, 1st Duke of Marlborough
John Faber, the Elder (d. 1721)
early 18th century · Pen and ink on vellum
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
244 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
311 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 17 matching records exist across the two collections.
Results for "Portrait of Sir John Macpherson, 1st Bar"12 records
Institutions answered newest-first by record, interleaved
The Right Honorable Sir Charles Pratt, Knight, now Lord Camden
John Faber, the Younger (d. 1756)
1765–68 · Mezzotint
Cleared · Public Domain
liveThe MetSimilar
Sr. George Bridges Rodney, Rear Admiral of the Blue
Anonymous, British, late 18th century (d. 1800)
May 9, 1780 · Mezzotint
Cleared · Public Domain
liveThe MetSimilar
Sir John Floyd on horseback
Richard Westall (d. 1836)
1800–14 · Watercolor
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
John Clenche (for Dugdale's "Origines Juridicales," 1666).
Wenceslaus Hollar (d. 1677)
1664 · Etching; first state of two
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Leaf from Aedes Walpolianae mounted with two prints: The Right Honorable Horatio Walpole, Esq. (recto); The Right Honorable Charles Lord Viscount Townshend (verso)
John Simon (d. 1725)
1741 · Mezzotint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Elizabeth Countess of Berkeley
James McArdell (d. 1765)
1757 · Mezzotint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Her Royal Highness, The Duchess of Gloucester (formerly Maria Waldegrave, Countess Dowager)
John Finlayson (d. 1776)
1773 · Mezzotint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Lord George Brydges Rodney
Peltro William Tomkins (d. 1840)
April 26, 1781 · Stipple with some etching, printed in red
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
James Gillray (d. 1815)
ca. 1798 · Hand-colored etching (reverse copy)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of William Congreve Esq-r, Directing the discharge of the Fire Rockets invented by him into the town of Copenhagen during the Bombardment by the British Forces under the command of the R-t Hon-ble Lord Cathcart in 1807
George Clint (d. 1854)
1809 · Mezzotint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 3
Rudolph Ackermann, London (d. 1832)
January–June 1810 · Illustrations: etching, hand-coloring, woodcut and textile samples
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.