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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    532 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    297 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 16 matching records exist across the two collections.

Results for "Portrait of Vigée-Lebrun"11 records

Institutions answered newest-first by record, interleaved

Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788) by Adélaïde Labille-Guiard, The Metropolitan Museum of Art

Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788)

Adélaïde Labille-Guiard (d. 1803)

1785 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Portrait of Jean-Baptiste Lemoyne the Younger by Elisabeth Louise Vigée-LeBrun, The Cleveland Museum of Art

Portrait of Jean-Baptiste Lemoyne the Younger

Elisabeth Louise Vigée-LeBrun (d. 1842)

1774 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Marie Antoinette in a Park by Elisabeth Louise Vigée Le Brun, The Metropolitan Museum of Art

Marie Antoinette in a Park

Elisabeth Louise Vigée Le Brun (d. 1842)

ca. 1780–81 · Black chalk, stumped, and white chalk; framing lines in black chalk

Cleared · Public Domain

live
The MetSimilar
Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848) by Elisabeth Louise Vigée Le Brun, The Metropolitan Museum of Art

Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848)

Elisabeth Louise Vigée Le Brun (d. 1842)

1789 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Portrait of Marie Antoinette by John Curtis, The Metropolitan Museum of Art

Portrait of Marie Antoinette

John Curtis (d. 1800)

1786–1800 · Color stipple engraving and etching

Cleared · Public Domain

live
The MetSimilar
Madame Charles Maurice de Talleyrand Périgord (1761–1835) by baron François Gérard, The Metropolitan Museum of Art

Madame Charles Maurice de Talleyrand Périgord (1761–1835)

baron François Gérard (d. 1837)

ca. 1804 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Portrait of Vigée-Lebrun by Jean Philippe Guy Le Gentil, comte de Paroy, The Metropolitan Museum of Art

Portrait of Vigée-Lebrun

Jean Philippe Guy Le Gentil, comte de Paroy (d. 1824)

1824 · Etching

Cleared · Public Domain

live
The MetSimilar
Half-length portrait of Sophie or Apollonia Helena Potocka as a young girl by Robert Reyher, The Metropolitan Museum of Art

Half-length portrait of Sophie or Apollonia Helena Potocka as a young girl

Robert Reyher (d. 1877)

1872 · Engraving

Cleared · Public Domain

live
The MetSimilar
Bessie Potter by William Merritt Chase, The Metropolitan Museum of Art

Bessie Potter

William Merritt Chase (d. 1916)

ca. 1895 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Louise Elisabeth Vigée Lebrun

Johann Gotthard Müller (d. 1830)

1783–85 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A woman making a portrait of a woman, bound in L'Oeuvre original de Vivant Denon. Collection de eaux-fortes, Volume 1

Baron Dominique Vivant Denon (d. 1825)

1873 · Lithograph

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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