Portrait of a Lady (possibly Tryntje Otten Veeder)
Schuyler Limner (d. 1770)
1720–25 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
338 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
697 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 25 matching records exist across the two collections.
Results for "Portrait of a Lady (possibly Tryntje Ott"12 records
Institutions answered newest-first by record, interleaved
Portrait of a Lady (Possibly Hannah Stillman)
Pieter Vanderlyn (d. 1778)
1720–30 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Portrait of a lady, possibly the Marquise de Vaudreuil
Jean-Baptiste Nini (d. 1786)
second half 18th century (before 1786) · Medallion: cast terracotta (terre de Chaumont); frame: gilt wood
Cleared · Public Domain
liveThe MetSimilar
Portrait of a lady
Unrecorded maker
late 18th century · Porcelain
Cleared · Public Domain
liveThe MetSimilar
Portrait of a lady, possibly Mrs. Timothy Shelley, Mother of Percy Byron Shelley
Samuel Percy (d. 1820)
early 19th century · Colorless wax on glass painted red; frame: gold wood and glass
Cleared · Public Domain
liveThe MetSimilar
William Shakespeare (formerly known as)
Thomas Wright (d. 1849)
1827 · Stipple engraving on chine collé
Cleared · Public Domain
liveThe MetSimilar
Portrait of a Lady (Possibly of the Buloid Family)
Samuel Lovett Waldo (d. 1861)
1832 · Oil on wood
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Group of Three Men, Spain]
Alphonse Delaunay (d. 1906)
1851–54 · Albumen silver print from a paper negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Man Carrying a Keg on his Shoulder, Spain]
Alphonse Delaunay (d. 1906)
1851–54 · Albumen silver print from a paper negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Man Seated with an Oblong Basket, Spain]
Alphonse Delaunay (d. 1906)
1851–54 · Albumen silver print from a paper negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Man Speaking to Woman at a Window, Spain]
Alphonse Delaunay (d. 1906)
1851–54 · Albumen silver print from a paper negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Two Men next to a Barred Window, Spain]
Alphonse Delaunay (d. 1906)
1851–54 · Albumen silver print from a paper negative
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.