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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    278 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    359 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,651 matching records exist across the two collections.

Results for "Portrait of a Woman, Possibly a Nun of S"12 records

Institutions answered newest-first by record, interleaved

Two Poems from the Collection of Poems Ancient and Modern, Continued (Zoku Kokin wakashū) by Nun Abutsu, The Metropolitan Museum of Art

Two Poems from the Collection of Poems Ancient and Modern, Continued (Zoku Kokin wakashū)

Nun Abutsu (d. 1283)

13th century · Page from a booklet, mounted as a hanging scroll; ink on paper

Cleared · Public Domain

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The MetSimilar
Portrait of a Woman by Netherlandish or French, The Metropolitan Museum of Art

Portrait of a Woman

Netherlandish or French (d. 1480)

ca. 1470–80 · Oil on oak panel

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman by Piero del Pollaiuolo (Piero di Jacopo Benci), The Metropolitan Museum of Art

Portrait of a Woman

Piero del Pollaiuolo (Piero di Jacopo Benci) (d. 1496)

ca. 1480 · Tempera on wood

Cleared · Public Domain

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The MetSimilar
Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille by Jacometto (Jacometto Veneziano), The Metropolitan Museum of Art

Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille

Jacometto (Jacometto Veneziano) (d. 1498)

ca. 1485–95 · Oil on wood; (verso: oil and gold on wood)

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman by Quinten Massys, The Metropolitan Museum of Art

Portrait of a Woman

Quinten Massys (d. 1530)

ca. 1520 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman by Italian (Florentine) Painter (possibly Jacopo Zucchi, Florence 1541–1590 Rome), The Metropolitan Museum of Art

Portrait of a Woman

Italian (Florentine) Painter (possibly Jacopo Zucchi, Florence 1541–1590 Rome) (d. 1590)

mid-16th century · Oil on wood

Cleared · Public Domain

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The MetSimilar
Portrait of a Woman by British Painter, The Metropolitan Museum of Art

Portrait of a Woman

British Painter

ca. 1600 · Oil on wood

Cleared · Public Domain

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The MetSimilar
Portrait of a Woman by Adriaen Hanneman, The Metropolitan Museum of Art

Portrait of a Woman

Adriaen Hanneman (d. 1671)

ca. 1653 · Oil on canvas

Cleared · Public Domain

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The MetSimilar
Portrait of a praying nun by Carl Guttenberg, The Metropolitan Museum of Art

Portrait of a praying nun

Carl Guttenberg (d. 1790)

ca. 1771 · Engraving

Cleared · Public Domain

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The MetSimilar
Portrait of a praying nun by Carl Guttenberg, The Metropolitan Museum of Art

Portrait of a praying nun

Carl Guttenberg (d. 1790)

ca. 1771 · Engraving

Cleared · Public Domain

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The MetSimilar
Portrait of a woman, possibly Sébastienne Gallet by Fulchran Jean Harriet, The Metropolitan Museum of Art

Portrait of a woman, possibly Sébastienne Gallet

Fulchran Jean Harriet (d. 1805)

1796 · Black chalk or fabricated black chalk, white chalk, and graphite

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of a Woman; Possibly Mrs. Hattie Laroox

J. Z. (d. 9999)

1776 · Brush and brown ink and sgraffito on transparent parchment

In copyright

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The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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