
Portrait of a Woman
Master of the Castello Nativity (d. 1475)
probably 1450s · Tempera and gold on canvas, transferred from wood
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
360 ms. The Metropolitan Museum of Art, Collection API (Open Access)
361 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,320 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Portrait of a Woman
Master of the Castello Nativity (d. 1475)
probably 1450s · Tempera and gold on canvas, transferred from wood
Cleared · Public Domain
live
Portrait of a Woman, possibly Elizabeth Boothby
Cornelis Jonson (d. 1661)
1619 · Painting, oil on wood
Cleared · CC0
live
Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini
Maestro delle Storie del Pane (d. 1500)
1494? · Tempera on wood
Cleared · Public Domain
live
Portrait of a Young Woman
Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) (d. 1536)
ca. 1490–1500 · Oil on wood
Cleared · Public Domain
live
Portrait of a Woman
Italian (Florentine) Painter (possibly Jacopo Zucchi, Florence 1541–1590 Rome) (d. 1590)
mid-16th century · Oil on wood
Cleared · Public Domain
live
Portrait of a Woman
British Painter
ca. 1600 · Oil on wood
Cleared · Public Domain
live
Portrait of a Woman
Frans Hals (d. 1666)
ca. 1650, reworked probably 18th century · Oil on canvas
Cleared · Public Domain
live
Portrait of a woman, possibly Sébastienne Gallet
Fulchran Jean Harriet (d. 1805)
1796 · Black chalk or fabricated black chalk, white chalk, and graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of a Woman; Possibly Mrs. Hattie Laroox
J. Z. (d. 9999)
1776 · Brush and brown ink and sgraffito on transparent parchment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Head of a Woman (Woman)
Elizabeth Catlett (d. 2012)
1942–44 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
I Have Always Worked Hard in America . . ., from “The Negro Woman” series
Elizabeth Catlett (d. 2012)
1946 · Linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
. . . In the Fields, from “The Negro Woman” series
Elizabeth Catlett (d. 2012)
1947 · Linocut
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.