Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    360 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    361 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,320 matching records exist across the two collections.

Results for "Portrait of a Woman, possibly Elizabeth"12 records

Institutions answered newest-first by record, interleaved

Portrait of a Woman by Master of the Castello Nativity, The Metropolitan Museum of Art

Portrait of a Woman

Master of the Castello Nativity (d. 1475)

probably 1450s · Tempera and gold on canvas, transferred from wood

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman, possibly Elizabeth Boothby by Cornelis Jonson, The Cleveland Museum of Art

Portrait of a Woman, possibly Elizabeth Boothby

Cornelis Jonson (d. 1661)

1619 · Painting, oil on wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini by Maestro delle Storie del Pane, The Metropolitan Museum of Art

Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini

Maestro delle Storie del Pane (d. 1500)

1494? · Tempera on wood

Cleared · Public Domain

live
The MetSimilar
Portrait of a Young Woman by Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo), The Metropolitan Museum of Art

Portrait of a Young Woman

Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) (d. 1536)

ca. 1490–1500 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman by Italian (Florentine) Painter (possibly Jacopo Zucchi, Florence 1541–1590 Rome), The Metropolitan Museum of Art

Portrait of a Woman

Italian (Florentine) Painter (possibly Jacopo Zucchi, Florence 1541–1590 Rome) (d. 1590)

mid-16th century · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman by British Painter, The Metropolitan Museum of Art

Portrait of a Woman

British Painter

ca. 1600 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman by Frans Hals, The Metropolitan Museum of Art

Portrait of a Woman

Frans Hals (d. 1666)

ca. 1650, reworked probably 18th century · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Portrait of a woman, possibly Sébastienne Gallet by Fulchran Jean Harriet, The Metropolitan Museum of Art

Portrait of a woman, possibly Sébastienne Gallet

Fulchran Jean Harriet (d. 1805)

1796 · Black chalk or fabricated black chalk, white chalk, and graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of a Woman; Possibly Mrs. Hattie Laroox

J. Z. (d. 9999)

1776 · Brush and brown ink and sgraffito on transparent parchment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Head of a Woman (Woman)

Elizabeth Catlett (d. 2012)

1942–44 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

I Have Always Worked Hard in America . . ., from “The Negro Woman” series

Elizabeth Catlett (d. 2012)

1946 · Linocut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

. . . In the Fields, from “The Negro Woman” series

Elizabeth Catlett (d. 2012)

1947 · Linocut

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.