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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    250 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    340 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 917 matching records exist across the two collections.

Results for "Portrait of a Woman Reclining on a Sofa"12 records

Institutions answered newest-first by record, interleaved

Terracotta statuette of a woman reclining on a couch by an unrecorded maker, The Metropolitan Museum of Art

Terracotta statuette of a woman reclining on a couch

Unrecorded maker

probably late 3rd–2nd century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman Reclining on a Sofa by Jean-Antoine Laurent, The Cleveland Museum of Art

Portrait of a Woman Reclining on a Sofa

Jean-Antoine Laurent (d. 1832)

c. 1804 · Portrait Miniature, watercolor on ivory in a gilt metal frame c. 1805

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Figure of a reclining woman by an unrecorded maker, The Metropolitan Museum of Art

Figure of a reclining woman

Unrecorded maker

ca. 2nd century BCE–2nd century CE · Alabaster (gypsum)

Cleared · Public Domain

live
The MetSimilar
Woman in Turkish Dress, Seated on a Sofa by Jean Etienne Liotard, The Metropolitan Museum of Art

Woman in Turkish Dress, Seated on a Sofa

Jean Etienne Liotard (d. 1789)

ca. 1751–52 · Pastel over red chalk underdrawing on parchment

Cleared · Public Domain

live
The MetSimilar
Sofa by Duncan Phyfe, The Metropolitan Museum of Art

Sofa

Duncan Phyfe (d. 1854)

1810–20 · Maple

Cleared · Public Domain

live
The MetSimilar
Family Group of Four on Sofa by an unrecorded maker, The Metropolitan Museum of Art

Family Group of Four on Sofa

Unrecorded maker

ca. 1830s · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman in Gray by Edgar Degas, The Metropolitan Museum of Art

Portrait of a Woman in Gray

Edgar Degas (d. 1917)

ca. 1865 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Woman on a Sofa by Edgar Degas, The Metropolitan Museum of Art

Woman on a Sofa

Edgar Degas (d. 1917)

1875 · Oil colors freely mixed with turpentine, with touches of pastel, over graphite underdrawing, on pink paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Woman Reclining on a Lounge]

Unknown

ca. 1854 · Daguerreotype with applied color

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Young Woman Seated on a Sofa

Berthe Morisot (d. 1895)

ca. 1879 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Wall Elevation with a Large Mirror and Sofa (Fourth Floor)

Mewès and Davis (d. 1950)

ca. 1900–14 · Watercolor over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reclining Woman

Seydou Keïta (d. 2001)

1950s–1960s · Film, emulsion

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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