
Portrait of a Woman
Master of the Castello Nativity (d. 1475)
probably 1450s · Tempera and gold on canvas, transferred from wood
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
320 ms. The Metropolitan Museum of Art, Collection API (Open Access)
412 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 629 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Portrait of a Woman
Master of the Castello Nativity (d. 1475)
probably 1450s · Tempera and gold on canvas, transferred from wood
Cleared · Public Domain
live
Portrait of a Woman
Italian (Florentine) Painter (possibly Jacopo Zucchi, Florence 1541–1590 Rome) (d. 1590)
mid-16th century · Oil on wood
Cleared · Public Domain
live
Portrait of a Woman and an Enslaved Servant
Nicolas de Largillierre (or Largillière) (d. 1746)
1696 · Oil on canvas
Cleared · Public Domain
live
Portrait of a Young Woman
Jean Antoine Laurent (d. 1832)
ca. 1795 · Ivory
Cleared · Public Domain
live
Enslaved Woman
Auguste Edouart (d. 1861)
1844 · Chalk on prepared black cut paper mounted to paper board
Cleared · Public Domain
live![[Paper Silhouette Portrait of a Woman] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP242068.jpg)
[Paper Silhouette Portrait of a Woman]
Unknown
1840s–50s · Daguerreotype
Cleared · Public Domain
live![[Studio Portrait of Woman Wearing Head Scarf, Shawl, and Plaid Skirt, Brazil] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-40549-001.jpg)
[Studio Portrait of Woman Wearing Head Scarf, Shawl, and Plaid Skirt, Brazil]
Unknown
1861–62 · Salted paper print from glass negative, with applied color
Cleared · Public Domain
live
Why Born Enslaved!
Jean-Baptiste Carpeaux (d. 1875)
modeled 1868, carved 1873 · Marble
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of a Woman
Anonymous, French (d. 2050)
17th century · Chalk, pen and ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Studio Portrait of a Standing Woman and Child, and a Seated Woman, Brazil]
Unknown
1861–62 · Salted paper print glass negative from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Portrait of a Woman]
Unknown
1860s · Albumen silver print from glass negative with applied color
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of an Old Woman
Theodore A. Butler (d. 1930)
late 19th–early 20th century · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.