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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    320 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    412 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 629 matching records exist across the two collections.

Results for "Portrait of a Woman and an Enslaved Serv"12 records

Institutions answered newest-first by record, interleaved

Portrait of a Woman by Master of the Castello Nativity, The Metropolitan Museum of Art

Portrait of a Woman

Master of the Castello Nativity (d. 1475)

probably 1450s · Tempera and gold on canvas, transferred from wood

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman by Italian (Florentine) Painter (possibly Jacopo Zucchi, Florence 1541–1590 Rome), The Metropolitan Museum of Art

Portrait of a Woman

Italian (Florentine) Painter (possibly Jacopo Zucchi, Florence 1541–1590 Rome) (d. 1590)

mid-16th century · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman and an Enslaved Servant by Nicolas de Largillierre (or Largillière), The Metropolitan Museum of Art

Portrait of a Woman and an Enslaved Servant

Nicolas de Largillierre (or Largillière) (d. 1746)

1696 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Portrait of a Young Woman by Jean Antoine Laurent, The Metropolitan Museum of Art

Portrait of a Young Woman

Jean Antoine Laurent (d. 1832)

ca. 1795 · Ivory

Cleared · Public Domain

live
The MetSimilar
Enslaved Woman by Auguste Edouart, The Metropolitan Museum of Art

Enslaved Woman

Auguste Edouart (d. 1861)

1844 · Chalk on prepared black cut paper mounted to paper board

Cleared · Public Domain

live
The MetSimilar
[Paper Silhouette Portrait of a Woman] by Unknown, The Metropolitan Museum of Art

[Paper Silhouette Portrait of a Woman]

Unknown

1840s–50s · Daguerreotype

Cleared · Public Domain

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The MetSimilar
[Studio Portrait of Woman Wearing Head Scarf, Shawl, and Plaid Skirt, Brazil] by Unknown, The Metropolitan Museum of Art

[Studio Portrait of Woman Wearing Head Scarf, Shawl, and Plaid Skirt, Brazil]

Unknown

1861–62 · Salted paper print from glass negative, with applied color

Cleared · Public Domain

live
The MetSimilar
Why Born Enslaved! by Jean-Baptiste Carpeaux, The Metropolitan Museum of Art

Why Born Enslaved!

Jean-Baptiste Carpeaux (d. 1875)

modeled 1868, carved 1873 · Marble

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of a Woman

Anonymous, French (d. 2050)

17th century · Chalk, pen and ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Studio Portrait of a Standing Woman and Child, and a Seated Woman, Brazil]

Unknown

1861–62 · Salted paper print glass negative from glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Portrait of a Woman]

Unknown

1860s · Albumen silver print from glass negative with applied color

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of an Old Woman

Theodore A. Butler (d. 1930)

late 19th–early 20th century · Engraving

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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