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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    230 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    275 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 151 matching records exist across the two collections.

Results for "Portrait of a kneeling holy man, from th"11 records

Institutions answered newest-first by record, interleaved

Kneeling bearded figure by Olmec artist(s), The Metropolitan Museum of Art

Kneeling bearded figure

Olmec artist(s)

900–400 BCE · Serpentine, pigment

Cleared · Public Domain

live
The MetSimilar
Plaque with the Holy Women at the Sepulchre by an unrecorded maker, The Metropolitan Museum of Art

Plaque with the Holy Women at the Sepulchre

Unrecorded maker

early 10th century · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Head of a Donor by Albert van Ouwater, The Metropolitan Museum of Art

Head of a Donor

Albert van Ouwater (d. 1475)

ca. 1465–70 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Altarpiece (retablo) with Scenes from the Passion by Master Morata, The Metropolitan Museum of Art

Altarpiece (retablo) with Scenes from the Passion

Master Morata (d. 1505)

second half 15th century · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
Glove by an unrecorded maker, The Metropolitan Museum of Art

Glove

Unrecorded maker

ca. 1600 · Leather, silk and metal thread on cloth, sequins and lace

Cleared · Public Domain

live
The MetSimilar
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671) by Pietro da Cortona (Pietro Berrettini), The Metropolitan Museum of Art

Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671)

Pietro da Cortona (Pietro Berrettini) (d. 1669)

ca. 1635 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper

Cleared · Public Domain

live
The MetSimilar
Watch with portrait of Friedrick Wilhelm, the Great Elector by Johann G. Racine, The Metropolitan Museum of Art

Watch with portrait of Friedrick Wilhelm, the Great Elector

Johann G. Racine (d. 1748)

case ca. 1688, movement ca. 1750 · Case: painted enamel on gold; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
The Trinity by José Campeche, The Metropolitan Museum of Art

The Trinity

José Campeche (d. 1809)

ca. 1790 · Oil on wood panel

Cleared · Public Domain

live
The MetSimilar
A Holy Man Seated on a Terrace by an unrecorded maker, The Metropolitan Museum of Art

A Holy Man Seated on a Terrace

Unrecorded maker

ca. 1850 · Ink and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Equestrian Portrait of Louis de Lorraine, Prince of Phalsbourg

Jacques Callot (d. 1635)

ca. 1624 · Brush and brown wash over black chalk; the outlines of the horse and rider are pricked for transfer and partially indented

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The sacrament of holy communion, with a priest giving the Host to a kneeling man; from 'The Seven Sacraments', after the series of paintings by Pietro Longhi

Marco Alvise Pitteri (d. 1786)

ca. 1740–80 · Etching

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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