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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    521 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    349 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,603 matching records exist across the two collections.

Results for "Portrait of a seated woman, from the "Gi"12 records

Institutions answered newest-first by record, interleaved

Portrait of a Woman by Master of the Castello Nativity, The Metropolitan Museum of Art

Portrait of a Woman

Master of the Castello Nativity (d. 1475)

probably 1450s · Tempera and gold on canvas, transferred from wood

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman by Quinten Massys, The Metropolitan Museum of Art

Portrait of a Woman

Quinten Massys (d. 1530)

ca. 1520 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman by Italian (Florentine) Painter (possibly Jacopo Zucchi, Florence 1541–1590 Rome), The Metropolitan Museum of Art

Portrait of a Woman

Italian (Florentine) Painter (possibly Jacopo Zucchi, Florence 1541–1590 Rome) (d. 1590)

mid-16th century · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman by Adriaen Hanneman, The Metropolitan Museum of Art

Portrait of a Woman

Adriaen Hanneman (d. 1671)

ca. 1653 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Portrait of a young woman seated by Thomas Gainsborough, The Metropolitan Museum of Art

Portrait of a young woman seated

Thomas Gainsborough (d. 1788)

ca. 1760 · Black chalk with touches of red wash

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman by Joseph Wright (Wright of Derby), The Metropolitan Museum of Art

Portrait of a Woman

Joseph Wright (Wright of Derby) (d. 1797)

ca. 1770 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Portrait of a Mughal Woman by Francesco Renaldi, The Metropolitan Museum of Art

Portrait of a Mughal Woman

Francesco Renaldi (d. 1800)

1787 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
[Woman Seen from the Back] by Onésipe Aguado de las Marismas, The Metropolitan Museum of Art

[Woman Seen from the Back]

Onésipe Aguado de las Marismas (d. 1893)

ca. 1862 · Salted paper print from glass negative

Cleared · Public Domain

live
The MetSimilar
[Studio Portrait: Woman Seated Beside a Table, Singapore] by G. R. Lambert & Co., The Metropolitan Museum of Art

[Studio Portrait: Woman Seated Beside a Table, Singapore]

G. R. Lambert & Co. (d. 1889)

1870s · Albumen silver print

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman Seated at a Table by Will Houghton, The Metropolitan Museum of Art

Portrait of a Woman Seated at a Table

Will Houghton (d. 1916)

ca. 1896 · Watercolor, white and red tempera over graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Portrait of a Young Woman, Seated, Holding a Letter]

Meade Brothers (d. 1869)

ca. 1846 · Daguerreotype

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Studio Portrait of a Standing Woman and Child, and a Seated Woman, Brazil]

Unknown

1861–62 · Salted paper print glass negative from glass negative

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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