Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    257 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    264 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 3,478 matching records exist across the two collections.

Results for "Portrait of an elderly man seated in an"12 records

Institutions answered newest-first by record, interleaved

Marble portrait head of an elderly man by an unrecorded maker, The Metropolitan Museum of Art

Marble portrait head of an elderly man

Unrecorded maker

1st century BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble portrait bust of an elderly man by an unrecorded maker, The Metropolitan Museum of Art

Marble portrait bust of an elderly man

Unrecorded maker

2nd century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Portrait of an Old Man by Hugo van der Goes, The Metropolitan Museum of Art

Portrait of an Old Man

Hugo van der Goes (d. 1482)

ca. 1470–75 · Oil on paper, laid down on wood

Cleared · Public Domain

live
The MetSimilar
Portrait of an Old Man by Hans Memling, The Metropolitan Museum of Art

Portrait of an Old Man

Hans Memling (d. 1494)

ca. 1475 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Portrait of a Man Seated in an Armchair by Dutch (Amsterdam) Painter, about 1640–50, The Metropolitan Museum of Art

Portrait of a Man Seated in an Armchair

Dutch (Amsterdam) Painter, about 1640–50 (d. 1650)

ca. 1640–50 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Bust of an Elderly Man by Jan Lievens, The Metropolitan Museum of Art

Bust of an Elderly Man

Jan Lievens (d. 1674)

1620–74 · Etching and drypoint; first state of three

Cleared · Public Domain

live
The MetSimilar
Portrait of an Old Man by Francisco Domingo y Marqués, The Metropolitan Museum of Art

Portrait of an Old Man

Francisco Domingo y Marqués (d. 1920)

1882 · Oil on wood

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of an elderly man seated in an armchair, a young man standing at left

Lucas Vorsterman II (d. 1666)

ca. 1656–60 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of a white-haired, bearded man seated in an armchair

Anton Joseph von Prenner (d. 1761)

1728 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of an elderly woman in profile

Benigno Bossi (d. 1792)

1776 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Three Ages of Man, an elderly man seated at left, a young man seated at right, and an infant at center seated on a woman's lap

Raphael Morghen (d. 1833)

1821 · Engraving; fifth state of five

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Portrait of a Man in an Apron Seated on a Barrel]

Unknown

ca. 1860s · Albumen silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.