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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    379 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    413 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 4,257 matching records exist across the two collections.

Results for "Poster advertising an exhibition of the"10 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mechanics Fair: The 19th Poster Exhibition

Elisha Brown Bird (d. 1943)

1895 · Lithograph

In copyright

live
The MetSimilar
May Milton by Henri de Toulouse-Lautrec, The Cleveland Museum of Art

May Milton

Henri de Toulouse-Lautrec (d. 1901)

1895 · Print, color lithograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Poster for the First Darmstadt Artists’ Colony Exhibition, “A Document of German Art”

Peter Behrens (d. 1940)

1901 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for a Poster Advertising Caley's Chocolate

Alfred Munnings (d. 1959)

ca. 1896 · Watercolor, pen and ink, and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Poster advertising an exhibition of the work of Carlos Orozco Romero at the Galleria de Arte Moderno (9–22 March); portrait of Orozco upper left

María Marín de Orozco (d. 1990)

1927 · Woodcut, letterpress, in red and black, backed with linen

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Poster advertising an exhibition of the work of Carlos Orozco Romero at the Galleria de Arte Moderno; portrait of Orozco upper left

María Marín de Orozco (d. 1990)

1927 · Woodcut, letterpress, in red and black, backed with linen

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Poster advertising an exhibition of children's art at the exhibition rooms of the Secretaria de Educación Publica; an image of two children in the centre

Francisco Díaz de León (d. 1975)

ca. 1930 · Woodcut, letterpress, backed with linen

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Poster advertising a free night course to learn printmaking and bookbinding

Francisco Díaz de León (d. 1975)

1937–1939 · Offset lithograph, woodcut, backed with linen

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Poster for an exhibition of Brazilian books (Brazil)

Ari Fagundes

ca. 1936–40 · Offset lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Poster advertising an exhibition of painting, sculpture, prints and books at the art gallery of the National Autonomous University of Mexico (Universidad Nacional Autónoma de Mexico)

Anonymous, Mexican, 20th century (d. 1999)

ca. 1937–40 · Offset lithograph, backed with linen

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.