Academie de l'espee; ou se domonstrent par reigles mathématiques sur le fondement d'un cercle mystérieux, la théorie et pratique des vrais . . .
Girard Thibault (d. 1629)
1628 · Illustrated book
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
215 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
280 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 44 matching records exist across the two collections.
Results for "Pratique de la Photographie sur Papier."12 records
Institutions answered newest-first by record, interleaved
Sentimens des plus Habiles Peintres sur la Pratique de la Peinture et Sculpture, mis en Tables de Preceptes, avec Plusieurs discours Accademiques
Henri Testelin (d. 1695)
1696 · Plates: etching, woodcut
Cleared · Public Domain
liveThe MetSimilar
Lessart Viaduct on the Rance River
Louis Lafon (d. 1899)
October 1879 · Albumen silver print from glass negative
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les couleurs en photographie et en particulier l'héliochromie au charbon : traité contenant, dans leur état le plus récent, les formules et la mise en pratique du système de photographie des couleurs publié par l'auteur au mois de mars 1869
Louis Ducos Du Hauron (d. 1920)
1869 · Printed book
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pratique de la Photographie sur Papier. Simplifiée par l'emploi de l'appareil conservateur des papier sensibilisés et des preservateurs
A. Marion (d. 1917)
1860s · Albumen silver prints
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
He Takes Her By Her Long Beautiful Hair (The Unfaithful Wife)
Emile Bernard (d. 1941)
1888 · Zincograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
He Takes Her By Her Long Beautiful Hair (The Unfaithful Wife)
Emile Bernard (d. 1941)
1892 · Hand-colored zincograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
He Takes Her By Her Long Beautiful Hair (The Unfaithful Wife)
Emile Bernard (d. 1941)
1892 · Zincograph, printed in sepia
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Countess Brushes Her Hair (Esmérée) or Dancing Music (Esmérée)
Emile Bernard (d. 1941)
1892 · Zincograph printed in sepia
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Countess Combing Her Hair (Esmérée) or Dancing Music (Esmérée)
Emile Bernard (d. 1941)
1892 · Zincograph printed in sepia
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Woman from Berkeley
Emile Bernard (d. 1941)
1892 · Zincograph printed in sepia
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Woman from Berkeley, from "Les Cantilènes"
Emile Bernard (d. 1941)
1892 · Hand-colored zincograph
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.