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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    5485 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    540 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Procession of Six Horsemen in Profile Vi"9 records

Institutions answered newest-first by record, interleaved

Figure of a man with an oryx, a monkey, and a leopard skin by an unrecorded maker, The Metropolitan Museum of Art

Figure of a man with an oryx, a monkey, and a leopard skin

Unrecorded maker

ca. 8th century BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Tupu (pin) by an unrecorded maker, The Metropolitan Museum of Art

Tupu (pin)

Unrecorded maker

1400–1533 CE · Copper or alloy of copper

Cleared · Public Domain

live
The MetSimilar
Edward VI (1537–1553), When Duke of Cornwall by Hans Holbein the Younger, The Metropolitan Museum of Art

Edward VI (1537–1553), When Duke of Cornwall

Hans Holbein the Younger (d. 1543)

ca. 1545; reworked 1547 or later · Oil and gold on oak

Cleared · Public Domain

live
The MetSimilar
Table clock by Bartholomew Newsam, The Metropolitan Museum of Art

Table clock

Bartholomew Newsam (d. 1587)

1580–85 · Case: engraved, chased, and gilded brass; dial: silver; movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Procession of Six Horsemen in Profile View Facing Left by Stefano della Bella, The Metropolitan Museum of Art

Procession of Six Horsemen in Profile View Facing Left

Stefano della Bella (d. 1664)

1610–64 · Pen and brown ink over traces of graphite; traces of framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Miniature longcase clock with calendar by Daniel Quare, The Metropolitan Museum of Art

Miniature longcase clock with calendar

Daniel Quare (d. 1724)

ca. 1720–25 · Case: walnut and oak veneered with walnut and figured walnut; Dial: gilded and silvered brass; Movement: gilded brass, steel

Cleared · Public Domain

live
The MetSimilar
Coffeepot by Meissen Manufactory, The Metropolitan Museum of Art

Coffeepot

Meissen Manufactory (d. 9999)

manufactured ca. 1715–20; decorated ca. 1728–30 · Hard-paste porcelain decorated in polychrome enamels

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)

Leonardo da Vinci (d. 1519)

ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Monument of Thomas Addis Emmet

William R. Browne (d. 1839)

1832 · Lithograph

In copyright

live
The MetSimilar

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