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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    342 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Processional Cross"8 records

Institutions answered newest-first by record, interleaved

Processional Cross by Master of Santa Chiara, The Cleveland Museum of Art

Processional Cross

Master of Santa Chiara

c. 1320 · Painting, oil on canvas on wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a Processional Cross by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Processional Cross

Unrecorded maker

c. 1050 · Metalwork, silver gilt, niello

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Processional Cross by Pietro Vannini, The Cleveland Museum of Art

Processional Cross

Pietro Vannini

c. 1440–50 · Metalwork, silver, gilt-silver, and repoussé, over wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Quatrilobed Plaque (pair): The Annunciation and The Descent from the Cross by an unrecorded maker, The Cleveland Museum of Art

Quatrilobed Plaque (pair): The Annunciation and The Descent from the Cross

Unrecorded maker

c. 1350–1400 · Enamel, translucent enamel (basse-taille) on silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Quatrilobed Plaque: The Descent from the Cross by an unrecorded maker, The Cleveland Museum of Art

Quatrilobed Plaque: The Descent from the Cross

Unrecorded maker

c. 1350–1400 · Enamel, translucent enamel (basse-taille) on silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Trinity by Laurent Girardin, The Cleveland Museum of Art

The Trinity

Laurent Girardin (d. 1478)

c. 1460 · Painting, oil on wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Virgin and Child Enthroned with Saints Francis and Giovanni Gualberto by Benedetto Buglioni, The Cleveland Museum of Art

Virgin and Child Enthroned with Saints Francis and Giovanni Gualberto

Benedetto Buglioni (d. 1521)

c. 1510–20 · Sculpture, glazed terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Quatrilobed Plaque: The Annunciation by an unrecorded maker, The Cleveland Museum of Art

Quatrilobed Plaque: The Annunciation

Unrecorded maker

c. 1350–1400 · Enamel, translucent enamel (basse-taille) on silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.