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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    523 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    395 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 20,991 matching records exist across the two collections.

Results for "Profile Portrait of a Woman"12 records

Institutions answered newest-first by record, interleaved

Glass portrait bust of a woman by an unrecorded maker, The Metropolitan Museum of Art

Glass portrait bust of a woman

Unrecorded maker

1st–4th century CE · Glass

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman by The Artist "V", The Cleveland Museum of Art

Portrait of a Woman

The Artist "V"

c. 1775 · Portrait Miniature, watercolor on ivory on a gold locket

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Portrait of a Woman by Master of the Castello Nativity, The Metropolitan Museum of Art

Portrait of a Woman

Master of the Castello Nativity (d. 1475)

probably 1450s · Tempera and gold on canvas, transferred from wood

Cleared · Public Domain

live
The MetSimilar
Portrait of a Lady with an Elaborate Cartouche by Giuseppe Cades, The Cleveland Museum of Art

Portrait of a Lady with an Elaborate Cartouche

Giuseppe Cades (d. 1799)

1785 · Drawing, Red chalk over graphite (portrait), pen and black ink and watercolor over graphite (surround), circular framing line in graphite

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Portrait of a Woman by Piero del Pollaiuolo (Piero di Jacopo Benci), The Metropolitan Museum of Art

Portrait of a Woman

Piero del Pollaiuolo (Piero di Jacopo Benci) (d. 1496)

ca. 1480 · Tempera on wood

Cleared · Public Domain

live
The MetSimilar
Woman in Profile, Turned to the Left by Henri-Pierre Danloux, The Cleveland Museum of Art

Woman in Profile, Turned to the Left

Henri-Pierre Danloux (d. 1809)

1784 · Drawing, Charcoal and black chalk with stumping on off-white laid paper, signed in brown ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Profile portrait of a woman by Joseph Jean Bernard, The Metropolitan Museum of Art

Profile portrait of a woman

Joseph Jean Bernard (d. 1809)

1781 · Pen and brown ink, brush and brown wash, touches of blue wash, over black chalk

Cleared · Public Domain

live
The MetSimilar
Woman with a Tambourine, in Neoclassical Costume by an unrecorded maker, The Cleveland Museum of Art

Woman with a Tambourine, in Neoclassical Costume

Unrecorded maker

mid to late 19th century · Portrait Miniature, watercolor on ivory in a gold frame with blue glazed reverse and reserve with plaited hair and initials in gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Profile Portrait of a Woman by Augustin de Saint-Aubin, The Metropolitan Museum of Art

Profile Portrait of a Woman

Augustin de Saint-Aubin (d. 1807)

ca. 1780–82 · Graphite, red and black chalk, with touches of blue wash

Cleared · Public Domain

live
The MetSimilar
Head of a Woman in Profile (George Sand) by Pierre-Jean David d'Angers, The Cleveland Museum of Art

Head of a Woman in Profile (George Sand)

Pierre-Jean David d'Angers (d. 1856)

1833 · Drawing, graphite

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Profile portrait of a woman in a medallion supported by putti by French Painter, The Metropolitan Museum of Art

Profile portrait of a woman in a medallion supported by putti

French Painter

18th century · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Half-length Portrait of a Seated Woman by Charles-Nicolas Cochin, The Cleveland Museum of Art

Half-length Portrait of a Seated Woman

Charles-Nicolas Cochin (d. 1790)

1781 · Drawing, black chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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