
Terracotta aryballos (perfume bottle) in the shape of a woman's head
Oxford Class of Head Vases
ca. 500 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
709 ms. The Metropolitan Museum of Art, Collection API (Open Access)
304 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,006 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta aryballos (perfume bottle) in the shape of a woman's head
Oxford Class of Head Vases
ca. 500 BCE · Terracotta
Cleared · Public Domain
live
Profile of a Woman's Head (recto)
Alessandro Casolani (d. 1607)
1550–1600s · Drawing, black chalk(?) with traces of red chalk
Cleared · CC0
live
Terracotta mug in the form of a woman's head
Class G: The London Class of Head Vases
ca. 500–490 BCE · Terracotta
Cleared · Public Domain
live
Bust of a Woman (recto); Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso)
Benozzo Gozzoli (d. 1497)
c. 1458 · Drawing, metalpoint with point of brush and brown ink heightened with white gouache
Cleared · CC0
live
Study of a Woman's Head and Hands
Antoine Watteau (d. 1721)
ca. 1717 · Red and white chalk and graphite
Cleared · Public Domain
live
Profile of a Woman's Head (recto) A Kitchen Maid (verso)
Alessandro Casolani (d. 1607)
second half 1500s · Drawing, black chalk(?) with traces of red chalk
Cleared · CC0
live
Study of a Woman’s Head
Jean-Baptiste Greuze (d. 1805)
ca. 1780 · Oil on wood
Cleared · Public Domain
live
View of Rome (recto); A Woman's Head In Profile (verso)
baron François Gérard (d. 1837)
ca. 1790–91 · Black chalk, brush and gray wash (recto); pen and iron gall ink (verso)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Profile of a woman's head to the right
Wenceslaus Hollar (d. 1677)
1635 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman's Head in Profile to left, smelling a lily
Prince Charles de Ligne (d. 1792)
1686–87 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study of a Woman's Head
Julian Alden Weir (d. 1919)
1888 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study of a Woman's Head in Profile
Julian Alden Weir (d. 1919)
1890 · Drypoint; third state of four
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.