
Glass portrait bust of a woman
Unrecorded maker
1st–4th century CE · Glass
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
265 ms. The Metropolitan Museum of Art, Collection API (Open Access)
387 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,694 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Glass portrait bust of a woman
Unrecorded maker
1st–4th century CE · Glass
Cleared · Public Domain
live
Portrait of a Man in Profile
Italian Painter
1530 · Oil on wood
Cleared · Public Domain
live
Profile portrait of a woman
Joseph Jean Bernard (d. 1809)
1781 · Pen and brown ink, brush and brown wash, touches of blue wash, over black chalk
Cleared · Public Domain
live
Profile Portrait of a Woman
Augustin de Saint-Aubin (d. 1807)
ca. 1780–82 · Graphite, red and black chalk, with touches of blue wash
Cleared · Public Domain
live
Profile portrait of a woman in a medallion supported by putti
French Painter
18th century · Oil on canvas
Cleared · Public Domain
live
Profile portrait of a woman facing left (Constanze Håuser?)
Anonymous, German (d. 2050)
1773–1820 · Cut black paper silhouette
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman in left profile
Wenceslaus Hollar (d. 1677)
1642 · Etching: only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of a woman in profile
Benigno Bossi (d. 1792)
1775 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Portrait Drawing of a Young Woman in Profile]
Jesse H. Whitehurst
1840s–50s · Daguerreotype
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Portrait of a Woman in Profile Reading a Book]
Camille Silvy (d. 1869)
1860s · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait
Rose Clark (d. 1942)
1899 · Platinum print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Head of a Woman, in Profile
Pablo Picasso (d. 1973)
1905, printed 1913 · Drypoint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.