
Bowl
Unrecorded maker
ca. 3rd–7th century CE · Ceramic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
268 ms. The Metropolitan Museum of Art, Collection API (Open Access)
293 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 64 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bowl
Unrecorded maker
ca. 3rd–7th century CE · Ceramic
Cleared · Public Domain
live
Handle fragment
Unrecorded maker
ca. 3rd–7th century CE · Glass
Cleared · Public Domain
live
Jar
Unrecorded maker
ca. 3rd–7th century CE · Ceramic
Cleared · Public Domain
live
Lamp
Unrecorded maker
ca. 3rd–7th century CE · Ceramic
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Antaki. (Antioche) Entrée de la Gorge de fer Ouad-el-hadid.
Louis de Clercq (d. 1901)
1859 · Albumen silver print from paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Antaki. (Antioche) Vestiges des fortifications, Porte-de-fer, Baab-el-hadid.
Louis de Clercq (d. 1901)
1859 · Albumen silver print from paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tarablous. (Tripoli), Vue de Nahar Kadischa, prise du pont neuf Djisr-el-Djded.
Louis de Clercq (d. 1901)
1859 · Albumen silver print from paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tarablous. (Tripoli), Vue de Nahar Kadischa, prise du pont vieux Djisr-el-Atik.
Louis de Clercq (d. 1901)
1859 · Albumen silver print from paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Project for an Oriental School House (elevation and plan)
Alexander Jackson Davis (d. 1892)
1835–92 · Graphite, ink and watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
French door from Brinsmaid House
Arthur Heun (d. 9999)
1901–2 · Glass, wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
French door from Brinsmaid House
Arthur Heun (d. 9999)
1901–2 · Glass, wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Humpty Dumpty"―page design
Paul Vincent Woodroffe (d. 1954)
October 6, 1906 · Pen and black ink, watercolor and graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.