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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    248 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    284 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 14 matching records exist across the two collections.

Results for "Prometheus (or Tityus)"12 records

Institutions answered newest-first by record, interleaved

Terracotta calyx-krater (bowl for mixing wine and water) by Nekyia Painter, The Metropolitan Museum of Art

Terracotta calyx-krater (bowl for mixing wine and water)

Nekyia Painter

ca. 450–440 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Marble head of a man by an unrecorded maker, The Metropolitan Museum of Art

Marble head of a man

Unrecorded maker

69–96 CE · Marble

Cleared · Public Domain

live
The MetSimilar
Medal:  Presciano de Ferrara by Savelli Sperandio, The Metropolitan Museum of Art

Medal: Presciano de Ferrara

Savelli Sperandio (d. 1504)

model 1473 · Bronze (copper alloy with reddish brown patina under a worn layer of black wax or lacquer).

Cleared · Public Domain

live
The MetSimilar
Tityus Punished in Hell by Cornelis Cort, The Metropolitan Museum of Art

Tityus Punished in Hell

Cornelis Cort (d. 1578)

1566 · Engraving; first state of three

Cleared · Public Domain

live
The MetSimilar
Titus (Flavius Sabinus Vespasianus (40 or 41–81 A.D.) by an unrecorded maker, The Metropolitan Museum of Art

Titus (Flavius Sabinus Vespasianus (40 or 41–81 A.D.)

Unrecorded maker

17th–18th century · Onyx and gold

Cleared · Public Domain

live
The MetSimilar
Prometheus (or Tityus) by Vincenzo Camuccini, The Metropolitan Museum of Art

Prometheus (or Tityus)

Vincenzo Camuccini (d. 1844)

1795–1844 · Lead graphite

Cleared · Public Domain

live
The MetSimilar
Rembrandt's Son Titus (1641–1668) by Rembrandt, The Metropolitan Museum of Art

Rembrandt's Son Titus (1641–1668)

Rembrandt (d. 1669)

1883 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Arc de Tite, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Peinture antique trouvée dans les Thermes de Tite, representant l'interieur des Bains selon l'usage des Anciens, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plan des Thermes de Tite, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Leonardo di Giovanni Pietro Bufalini (d. 1552)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Restes des Thermes de Tite, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Contour of Loss

Titus Kaphar (d. 9999)

2020 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.