
Terracotta calyx-krater (bowl for mixing wine and water)
Nekyia Painter
ca. 450–440 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
248 ms. The Metropolitan Museum of Art, Collection API (Open Access)
284 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta calyx-krater (bowl for mixing wine and water)
Nekyia Painter
ca. 450–440 BCE · Terracotta
Cleared · Public Domain
live
Marble head of a man
Unrecorded maker
69–96 CE · Marble
Cleared · Public Domain
live
Medal: Presciano de Ferrara
Savelli Sperandio (d. 1504)
model 1473 · Bronze (copper alloy with reddish brown patina under a worn layer of black wax or lacquer).
Cleared · Public Domain
live
Tityus Punished in Hell
Cornelis Cort (d. 1578)
1566 · Engraving; first state of three
Cleared · Public Domain
live
Titus (Flavius Sabinus Vespasianus (40 or 41–81 A.D.)
Unrecorded maker
17th–18th century · Onyx and gold
Cleared · Public Domain
live
Prometheus (or Tityus)
Vincenzo Camuccini (d. 1844)
1795–1844 · Lead graphite
Cleared · Public Domain
live
Rembrandt's Son Titus (1641–1668)
Rembrandt (d. 1669)
1883 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Arc de Tite, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Peinture antique trouvée dans les Thermes de Tite, representant l'interieur des Bains selon l'usage des Anciens, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plan des Thermes de Tite, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Leonardo di Giovanni Pietro Bufalini (d. 1552)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Restes des Thermes de Tite, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Contour of Loss
Titus Kaphar (d. 9999)
2020 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.