
Inlay for a plate in the form of a hare
Unrecorded maker
ca. 7th century BCE · Gold
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
307 ms. The Metropolitan Museum of Art, Collection API (Open Access)
323 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,370 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Inlay for a plate in the form of a hare
Unrecorded maker
ca. 7th century BCE · Gold
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lighthouse
Edward Hopper (d. 1967)
1923 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lighthouse at Groix
Paul Signac (d. 1935)
1925 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lighthouse at Two Lights
Edward Hopper (d. 1967)
1929 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Proposal for a Monument at Antarctica
Robert Smithson (d. 1973)
1966 · Photostat
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled [preparatory drawing for a proposal for light sculptures on the construction site of the World Trade Center towers]
Forrest Myers (d. 9999)
1967 · Gelatin silver print and paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled [preparatory drawing for a proposal for light sculptures on the construction site of the World Trade Center towers]
Forrest Myers (d. 9999)
1967 · Silver gelatin print and paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Proposal for a Broome Street Expressway in the Form of a Cigarette and Smoke
Claes Oldenburg (d. 2022)
1972 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Proposal for a Museum of the Early West, Los Alamos, NM
Jack Stewart (d. 2005)
ca. 1950–70 · Watercolor over partial graphite underdrawing, mounted on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Proposal for a Lighthouse in the Form of a Banana Peel, for the Coast of New Zealand
Claes Oldenburg (d. 2022)
2001 · Charcoal and pastel on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Proposal for a Lighthouse in the Form of a Banana Peel, for the Coast of New Zealand
Claes Oldenburg (d. 2022)
2001 · Watercolor, pastel, and graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Constellation. Proposal for a Ceiling Installation in the Atrium of the Kunkel Gallery in the Whitaker Center, Harrisburg, PA
Jack Stewart (d. 2005)
ca. 1990–97 · Watercolor over graphite underdrawing, metallic ink
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.