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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    682 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    295 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 38 matching records exist across the two collections.

Results for "Proposed Statue of St. Michael for St. P"12 records

Institutions answered newest-first by record, interleaved

Saint Margaret by Michael Pacher, The Metropolitan Museum of Art

Saint Margaret

Michael Pacher (d. 1498)

ca. 1470–80 · Pine with metal appliqués, traces of gesso and paint

Cleared · Public Domain

live
The MetSimilar
Saint Anthony of Padua Healing a Sick Man (recto); Partial Figural Studies Based on the Composition on the Recto (verso) by Tiberio Titi, The Metropolitan Museum of Art

Saint Anthony of Padua Healing a Sick Man (recto); Partial Figural Studies Based on the Composition on the Recto (verso)

Tiberio Titi (d. 1622)

1590–1600 · Pen and light brown ink, over black chalk; some reworking of contours in black chalk(?) (recto); black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Mourning Britannia by Saint James's Factory, The Metropolitan Museum of Art

Mourning Britannia

Saint James's Factory (d. 1759)

1751 · Soft-paste porcelain

Cleared · Public Domain

live
The MetSimilar
View of St. Peter’s Square, Rome by Auguste Raffet, The Metropolitan Museum of Art

View of St. Peter’s Square, Rome

Auguste Raffet (d. 1860)

1850 · Graphite

Cleared · Public Domain

live
The MetSimilar
Pendant with Saint Anthony of Padua by Kongo artist, The Metropolitan Museum of Art

Pendant with Saint Anthony of Padua

Kongo artist

16th–19th century · Partially hollow cast brass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 4

Rudolph Ackermann, London (d. 1832)

July–December 1810 · Illustrations: Hand-colored etching, engraving, stipple, woodcut and textile samples

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Stanfield's Coast Scenery: A Series of Views in the British Channel, from "Original Drawings Taken Expresssly for the Work"

Clarkson Stanfield (d. 1867)

1836 · Engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mount's Bay

Sir Francis Seymour Haden (d. 1910)

1868 · Etching and drypoint; first (final) state (Harrington); ninth state of ten (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Mason Jackson (d. 1903)

1865–70 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

William Biscombe Gardner (d. 1919)

1876–80 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Italian Masters, II, Engraved by Timothy Cole, Japan Proofs

Timothy Cole (d. 1931)

1892 · Wood engraving on Japan paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Proposed Statue of St. Michael for St. Patrick's Church, Dumbarton

Eric Gill (d. 1940)

ca. 1917 · Graphite and watercolor

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.