Prospects of London Before and After the Great Fire
Wenceslaus Hollar (d. 1677)
1666 · Etching; second state of five
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
510 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
322 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,289 matching records exist across the two collections.
Results for "Prospects of London Before and After the"10 records
Institutions answered newest-first by record, interleaved
The South East Prospect of the Cathedral Church of St. Paul, London, from "Overton's Prospects"
Benjamin Cole (d. 1783)
1720–30 · Etching and engraving
Cleared · Public Domain
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View of London with St. Paul’s in the distance: a family pausing on a road
Julius Caesar Ibbetson (d. 1816)
1787 · Watercolor, pen and ink
Cleared · Public Domain
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The cabinet-makers' London book of prices, and designs of cabinet work, calculated for the convenience of cabinet makers in general, whereby the price of executing any piece of work may be easily found
London Society of Cabinet Makers
1793
Cleared · Public Domain
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The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1
Rudolph Ackermann, London (d. 1832)
January–June 1809 · Illustrations: hand-colored etching, woodcut, and textile samples
Cleared · Public Domain
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The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2
Rudolph Ackermann, London (d. 1832)
July–December 1809 · Illustrations: hand-colored etching, engraving, woodcut, and textile samples
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Prospects of London Before and After the Great Fire
Wenceslaus Hollar (d. 1677)
1666 · Etching; third state of five
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Three prospects of Windsor Castle (from Elias Ashmole's "The Institution, Laws & Ceremonies of the most Noble Order of the Garter," London, 1672)
Wenceslaus Hollar (d. 1677)
1672 · Etching; third state of three (NH)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 4
Rudolph Ackermann, London (d. 1832)
July–December 1810 · Illustrations: Hand-colored etching, engraving, stipple, woodcut and textile samples
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 6
Rudolph Ackermann, London (d. 1832)
July–December 1811 · Illustrations: etching, engraving, woodcut, hand-coloring, and textile samples
In copyright
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