
Project for a Public Building on a Square
Anonymous, Italian, 16th century (d. 1600)
16th century · Pen and brown ink, gray wash
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
471 ms. The Metropolitan Museum of Art, Collection API (Open Access)
307 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,216 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Project for a Public Building on a Square
Anonymous, Italian, 16th century (d. 1600)
16th century · Pen and brown ink, gray wash
Cleared · Public Domain
live
Building Aircraft: Making the Engine
Christopher Nevinson (d. 1946)
1917 · Print, lithograph on wove paper
Cleared · CC0
live
Perspectival View and Floorplan of a Public (?) Building
Anonymous, French, 17th century (d. 1700)
ca. 1650–70 · Pen and brown ink and watercolor over black chalk
Cleared · Public Domain
live
Study for a Decoration for the Salle des Fêtes of the Town Hall of Paris's 11th arrondissement
Victor Emile Prouvé (d. 1943)
1897 · Drawing, watercolor with black chalk framing lines on beige wove paper
Cleared · CC0
live
Public Building
Fred Becker (d. 2004)
1935–43 · Wood engraving
Cleared · Public Domain
live
Mount Starr King, Yosemite
Albert Bierstadt (d. 1902)
1866 · Painting, oil on canvas on panel-back stretcher
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Neoclassical Public Building with Gazebo Belltower]
Walker Evans (d. 1975)
1930–31 · Glass negative
In copyright
live
Bath Pail (Satl)
Unrecorded maker
c. 1580–1610 · Metalwork, cast brass, turned, engraved, inlaid with black compound (niello)
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Neoclassical Public Building with Gazebo Belltower]
Walker Evans (d. 1975)
1930–31 · Glass negative
In copyright
live
Virgin and Child
Jacopo Sansovino (d. 1570)
early 1530s · Sculpture, bronze
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Neoclassical Public Building with Gazebo Belltower]
Walker Evans (d. 1975)
1930–31 · Glass negative
In copyright
live
River-Front
George Bellows (d. 1925)
1924 · Print, lithograph
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.