
Skull in Profile
Battista Franco (d. 1561)
ca. 1538 · Pen and brown ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
444 ms. The Metropolitan Museum of Art, Collection API (Open Access)
321 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,281 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Skull in Profile
Battista Franco (d. 1561)
ca. 1538 · Pen and brown ink
Cleared · Public Domain
live![[Boy in Profile] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP700051.jpg)
[Boy in Profile]
Unknown
1850s · Daguerreotype with applied color
Cleared · Public Domain
live
Puddlers in Profile
Constantin Meunier (d. 1905)
ca. 1900 · Stoneware
Cleared · Public Domain
live
Woman in Profile
Amedeo Modigliani (d. 1920)
1909 · Watercolor and graphite on paper
Cleared · Public Domain
live
Jeanne
Morton Schamberg (d. 1918)
1917 · Gelatin silver print
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Falcon in profile
Unrecorded maker
664–30 BCE · Glass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman in left profile
Wenceslaus Hollar (d. 1677)
1642 · Etching: only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Soldier in profile
Benigno Bossi (d. 1792)
ca. 1760 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman in Profile
Pablo Picasso (d. 1973)
1901 · Oil on paperboard mounted on particle board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Saltimbanque in Profile
Pablo Picasso (d. 1973)
1905 · Essence on paper board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Self-Portrait in Profile
Marcel Duchamp (d. 1968)
1957 · Cut and torn paper on velvet-covered board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman in Profile
Boris Solotareff (d. 1966)
1966 · Watercolor and graphite on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.