Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
480 ms. The Metropolitan Museum of Art, Collection API (Open Access)
1487 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 362 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze with putti amidst rinceaux, from Frises et ornements à la moderne, plate 3, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze with putti playing with panthers amidst rinceaux, from Frises et différents ornements à l'italienne, plate 6, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze with three putti amidst rinceaux, from Rinceaux de frises et de feuillages, plate 2, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Friezes with putti amidst rinceaux, from Frises et ornements à la moderne, plate 2, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Male figures, putti, and eagles amidst rinceaux, from Grotesques et mauresques, plate 2, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Putti amidst rinceaux, from a series of six frieze designs, plates 3 and 4
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Putti amidst rinceaux, from a series of six frieze designs, plates 5 and 6
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rinceaux with putti, from Rinceaux de différents feuillages, plate 6, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page depicting three putti amidst rinceaux, from Rinceaux de frises et de feuillages, plate 1, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; second state of three (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two friezes ornamented with putti amidst rinceaux, from Frises, plate 2, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; undescribed state (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Putti amidst rinceaux, from a series of six frieze designs, plate 5, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; unidentified state (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Putti amidst rinceaux, from a series of six frieze designs, plate 6, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; unidentified state (Préaud)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.