
Female figure with raised arm
Tellem blacksmith
15th–16th century · Wood (Moraceae family), applied organic materials
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
812 ms. The Metropolitan Museum of Art, Collection API (Open Access)
425 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Female figure with raised arm
Tellem blacksmith
15th–16th century · Wood (Moraceae family), applied organic materials
Cleared · Public Domain
live
Picturesque Architecture in Paris, Ghent, Antwerp, Rouen: Nôtre Dame, Paris, from the Quai St. Bernard
Thomas Shotter Boys (d. 1874)
1839 · Portfolio, lithograph
Cleared · CC0
live
The Entrance Gate of St. Bernard in Paris
Reinier Nooms, called Zeeman (d. 1664)
17th century · Etching; second state
Cleared · Public Domain
live
View of Messina Harbor
Louis François Cassas (d. 1827)
1783 · Pen and black and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and black ink
Cleared · Public Domain
live
Crossing of the Great St. Bernard and Battle of Marengo, 1800.
J. P. Martigny (d. 1900)
19th century · Gilt bronze, struck
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Venus and Mars Gondola Cup
Unrecorded maker
1600–1650 · Lead-glazed earthenware
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Notre Dame Paris from the Quai St. Bernard
Thomas Shotter Boys (d. 1874)
1839 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Jabez Hogg (d. 1899)
1886–91 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Figure riding a quadruped
Dogon or Tellem blacksmith (?)
16th–19th century · Wood (Burseraceae family), applied organic materials
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Little Flowers of St. Francis
Emile Bernard (d. 1941)
1928 · Woodcut, black and brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Quai St. Bernard, Paris
Henri Cartier-Bresson (d. 2004)
1932, printed 1946 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.