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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    306 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    484 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Quarry Reflections"12 records

Institutions answered newest-first by record, interleaved

Relief fragments from an elaborate false doorway by an unrecorded maker, The Metropolitan Museum of Art

Relief fragments from an elaborate false doorway

Unrecorded maker

ca. 2051–2030 B.C. · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Quarry Reflections by Paul Shively, The Cleveland Museum of Art

Quarry Reflections

Paul Shively (d. 1987)

1926 · Drawing, watercolor

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Relief fragments from the tomb of Neferu showing richly adorned attendants moving right to left by an unrecorded maker, The Metropolitan Museum of Art

Relief fragments from the tomb of Neferu showing richly adorned attendants moving right to left

Unrecorded maker

ca. 2051–2030 B.C. · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Standing Virgin by Claus de Werve, The Cleveland Museum of Art

Standing Virgin

Claus de Werve (d. 1439)

c. 1440–1450 · Sculpture, painted and gilded limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Window by an unrecorded maker, The Metropolitan Museum of Art

Window

Unrecorded maker

ca. 1500 · Limestone

Cleared · Public Domain

live
The MetSimilar
Venus Marina by Girolamo Campagna, The Metropolitan Museum of Art

Venus Marina

Girolamo Campagna (d. 1625)

late 16th century–early 17th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Cupboard (Beeldenkast) by an unrecorded maker, The Metropolitan Museum of Art

Cupboard (Beeldenkast)

Unrecorded maker

1622 · Oak

Cleared · Public Domain

live
The MetSimilar
Trompe de chasse "Dauphine" by Cretien workshop, Paris (c.1690 – post 1737), The Metropolitan Museum of Art

Trompe de chasse "Dauphine"

Cretien workshop, Paris (c.1690 – post 1737)

ca. 1700 · Brass

Cleared · Public Domain

live
The MetSimilar
Urn on square base (one of a pair) by an unrecorded maker, The Metropolitan Museum of Art

Urn on square base (one of a pair)

Unrecorded maker

ca. 1770–80 · Egyptian Imperial porphyry; gilt bronze

Cleared · Public Domain

live
The MetSimilar
Pedestal [for Woman from the French Colonies] by Charles-Henri-Joseph Cordier, The Metropolitan Museum of Art

Pedestal [for Woman from the French Colonies]

Charles-Henri-Joseph Cordier (d. 1905)

1861 · Red and white marble pedestal with gilt-bronze mounts and ornaments

Cleared · Public Domain

live
The MetSimilar
Woman from the French Colonies by Charles-Henri-Joseph Cordier, The Metropolitan Museum of Art

Woman from the French Colonies

Charles-Henri-Joseph Cordier (d. 1905)

1861 · Algerian onyx-marble, bronze, and enamel; white marble socle

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Subway Passengers, New York City]

Walker Evans (d. 1975)

1938 · Gelatin silver print

In copyright

live
The MetSimilar

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