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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    647 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    312 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 21 matching records exist across the two collections.

Results for "Quatrilobed Plaque: The Annunciation"12 records

Institutions answered newest-first by record, interleaved

Plaque with the Virgin Mary as a Personification of the Church by an unrecorded maker, The Metropolitan Museum of Art

Plaque with the Virgin Mary as a Personification of the Church

Unrecorded maker

ca. 800–825 · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Quatrilobed Plaque: The Annunciation by an unrecorded maker, The Cleveland Museum of Art

Quatrilobed Plaque: The Annunciation

Unrecorded maker

c. 1350–1400 · Enamel, translucent enamel (basse-taille) on silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Plaque with the Annunciation to the Shepherds by an unrecorded maker, The Metropolitan Museum of Art

Plaque with the Annunciation to the Shepherds

Unrecorded maker

ca. 1165 · Champlevé enamel on gilded copper

Cleared · Public Domain

live
The MetSimilar
Quatrilobed Plaque (pair): The Annunciation and The Descent from the Cross by an unrecorded maker, The Cleveland Museum of Art

Quatrilobed Plaque (pair): The Annunciation and The Descent from the Cross

Unrecorded maker

c. 1350–1400 · Enamel, translucent enamel (basse-taille) on silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Plaque from a Portable Altar with Scenes from the Life of Jesus by an unrecorded maker, The Metropolitan Museum of Art

Plaque from a Portable Altar with Scenes from the Life of Jesus

Unrecorded maker

ca. 1160–80 · Champlevé enamel on gilded copper

Cleared · Public Domain

live
The MetSimilar
Plaque with the Annunciation by an unrecorded maker, The Metropolitan Museum of Art

Plaque with the Annunciation

Unrecorded maker

ca. 1200–1225 · Champlevé enamel on gilded copper

Cleared · Public Domain

live
The MetSimilar
Enamel Plaque with the Annunciation by an unrecorded maker, The Metropolitan Museum of Art

Enamel Plaque with the Annunciation

Unrecorded maker

ca. 1440–60 · Silver with translucent and opaque enamels

Cleared · Public Domain

live
The MetSimilar
Plaque with The Annunciation by an unrecorded maker, The Metropolitan Museum of Art

Plaque with The Annunciation

Unrecorded maker

late 15th century · Silver and gilded silver

Cleared · Public Domain

live
The MetSimilar
The Adoration of the Shepherds by Workshop of the Master of the High Foreheads, The Metropolitan Museum of Art

The Adoration of the Shepherds

Workshop of the Master of the High Foreheads (d. 1600)

probably early 16th century · Painted enamel on copper, partly gilt

Cleared · Public Domain

live
The MetSimilar
The Annunciation by Master of the Triptych of Louis XII, The Metropolitan Museum of Art

The Annunciation

Master of the Triptych of Louis XII (d. 1525)

probably early 16th century · Painted enamel on copper, partly gilt

Cleared · Public Domain

live
The MetSimilar
The Annunciation by Nardon Pénicaud, The Metropolitan Museum of Art

The Annunciation

Nardon Pénicaud (d. 1543)

ca. 1510–20 · Painted enamel on copper, partly gilt

Cleared · Public Domain

live
The MetSimilar
Plaque with the Crucifixion by Master of the Orléans Triptych, The Metropolitan Museum of Art

Plaque with the Crucifixion

Master of the Orléans Triptych (d. 1615)

16th century · Painted enamel, copper

Cleared · Public Domain

live
The MetSimilar

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